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    <title>Independent Arts &amp; Media</title>
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   <id>tag:,2009:/8</id>
    <link rel="service.post" type="application/atom+xml" href="http://artsandmedia.net/mt_tmp/mt-atom.cgi/weblog/blog_id=8" title="Independent Arts &amp; Media" />
    <updated>2009-06-24T23:30:06Z</updated>
    <subtitle>Strengthening the Culture of Democracy</subtitle>
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type 4.23-en</generator>
 

<entry>
    <title>Director&apos;s Blog:  Nonprofit Karma</title>
    <link rel="alternate" type="text/html" href="http://artsandmedia.net/2009/06/directors_blog_nonprofit_karma.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://artsandmedia.net/mt_tmp/mt-atom.cgi/weblog/blog_id=8/entry_id=5967" title="Director's Blog:  Nonprofit Karma" />
    <id>tag:artsandmedia.net,2009://8.5967</id>
    
    <published>2009-06-24T23:26:55Z</published>
    <updated>2009-06-24T23:30:06Z</updated>
    
    <summary>What is it about nonprofit work that keeps me coming back? It&apos;s something that I have to ask myself periodically. Usually when I&apos;m overworked and tired, discouraged, or low on cash. And I have to admit, I&apos;ve suffered from all...</summary>
    <author>
        <name>Clare</name>
        <uri>http://www.artsandmedia.net/</uri>
    </author>
    
        <category term="About" />
    
        <category term="Director&apos;s Blog" />
    
    <content type="html" xml:lang="en-us" xml:base="http://artsandmedia.net/">
        <![CDATA[<p>What is it about nonprofit work that keeps me coming back? It's something that I have to ask myself periodically. Usually when I'm overworked and tired, discouraged, or low on cash. And I have to admit, I've suffered from all of these lately.</p>

<p>But working for a nonprofit organization (NPO) has its own kind of Karma, and it tends to come around quicker than other things that go around. Huh? What I mean is that the Karmic cycle is much quicker and far more frequent in the nonprofit world.</p>

<p>I wish I could say, that no good deed goes unnoticed, but that wouldn't be true. What I can say though is that things have a way of happening, not by magic but by design, one could even say intelligent design, because everything we do is thought over and planned out, hopefully with great rigor. Often, things work brilliantly, but not without challenge, and perhaps that's what keeps me coming back: the challenge. And working for a NPO is a hellava challenge. It's not for the weak of spirit or mind.</p>

<p>Like problem solving? Then this is the job for you! This is creative thinking at its best. Sometimes solving the problems is simple. How do you eat an elephant? One bite at a time of course, but that leaves out a lot of detail. Working in this field forces you to think strategically, and in steps, at all times, in every task. How does this break down? How can I make this easier, more efficient, more effective and fun all at the same time? We think like this all the time, and although it can be exhausting, it is in fact fun to push your mind and intellect to its limit. Some people do triathlons, I work in nonprofit. It's that kind of limit pushing.</p>

<p>I was reminded of a lot of this on Saturday while attending the Craigslist Foundation Nonprofit Boot Camp. I attended what I think was the first such events in 2006. It was an interesting concept. Around 1500 like-minded individuals came together to learn how to do what they do much better. This year, the event was on the campus of UC Berkeley. I noticed a bit of a change in the constituency. Although beginners are still one of the largest contingents at the camp, there were a lot more veterans, such as myself attending too. The workshops were both helpful and validating as they reinforced and honed practices I use on a regular basis, and I learned a few new ones as well. Plus, I love the swag. I finally picked up the letter opener I've been looking for, got a mouse pad from PayPal, and the ever essential computer screen sweeper, plus a tote bag and t-shirt of course.</p>

<p>It's nice to be reminded why we do what we do from so many different perspectives. So here are some of the highlights from my notes.</p>

<p>From Arianna Huffington of Huffingtonpost.com</p>

<p>"If you think you're too small to be effective, you've never been in bed with a mosquito."</p>

<p>"Volunteering should just be something we do...it's like a muscle, the more we use it the stronger it gets."</p>

<p>"It's not about how much we give but what kind of need we resolve."<br />
------<br />
From Kay Sprinkle Grace, nonprofit funding consultant, www.kaygrace.org</p>

<p>"Who ever introduced the term whatever into our vernacular was preparing us for very interesting times."</p>

<p>It's not your organization that matters, it's your mission.</p>

<p>"If you always do what you've always done, you'll always be what you've always been."</p>

<p>In nonprofit, we either ease human suffering or advance human potential.</p>

<p>Grow leadership at every level.</p>

<p>People give because your organization meets needs, not because you have needs.</p>

<p>----</p>

<p>From Shirley Sagawa & Deb Jospin, Authors of The Charismatic Organization</p>

<p>Put the right people in the right job and nurture them. Share power responsibility and build a strong community because people want to make a difference and want to belong to a community.</p>

<p>Have a vision and mission that can be articulated and repeated with passion.</p>

<p>Have Data Driven Decision Making...know what your trying to achieve by expressing clear outcomes, setting measurable goals, creating a roadmap and showing results.</p>

<p>Create Can Do Culture: be vibrant, positive and inclusive</p>

<p>Create compelling communication. Tell good stories, and encourage everyone in your organization to tell their stories as well. People do this work for a reason. Letting people know that reason is a good way to get them to support you.</p>

<p>----</p>

<p>From Allforgood.org</p>

<p>This is a new website designed as an extra curricular project by engineers at Google. The website is open source and offers a customizable search engine for volunteer opportunities, and is usable in a number of popular platforms as a wigit such as facebook, twitter, cell phone aps, etc. For more information, go to their website www.allforgood.org . Or to see an example of it's use go to www.huffingtonpost.com .</p>]]>
        
    </content>
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<entry>
    <title>Legendary Jazz Scribe Pens Jazzheimer&apos;s Story</title>
    <link rel="alternate" type="text/html" href="http://artsandmedia.net/2009/06/legendary_jazz_scribe_pens_jaz.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://artsandmedia.net/mt_tmp/mt-atom.cgi/weblog/blog_id=8/entry_id=5963" title="Legendary Jazz Scribe Pens Jazzheimer's Story" />
    <id>tag:artsandmedia.net,2009://8.5963</id>
    
    <published>2009-06-23T22:50:50Z</published>
    <updated>2009-06-24T06:57:08Z</updated>
    
    <summary>We at Indy Arts are excited to announce that none other than Nat Hentoff -- a legendary jazz and music writer who&apos;s penned criticism for a variety of national publications, as well as liner notes for records by everyone from...</summary>
    <author>
        <name>Josh Wilson</name>
        <uri>http://www.artsandmedia.net/</uri>
    </author>
    
        <category term="Arts &amp; Culture" />
    
    <content type="html" xml:lang="en-us" xml:base="http://artsandmedia.net/">
        <![CDATA[<p>We at Indy Arts are excited to announce that none other than Nat Hentoff -- a legendary jazz and music writer who's penned criticism for a variety of national publications, as well as liner notes for records by everyone from Billie Holliday and John Coltrane to Bob Dylan -- has published an article about Jazzheimer's, a fiscally sponsored project of Indy Arts. </p>

<p>We present an excerpt here -- <a href="http://www.jazz.com/jazz-blog/2009/6/16/hentoff-on-jazz-the-healing-touch" target="_BLANK">go read the whole piece on Jazz.com</a>.  </p>

<blockquote><strong>Hentoff on Jazz: The Healing Touch</strong>
Jazz.com, June 16, 2009

<p>Louis Armstrong, a true believer in the healing power of music, sent recordings of jazz and classical music to a hospital in New Orleans, so they could be played for women giving birth. In keeping with his wishes, the Louis Armstrong Department of Music Therapy at New York's Beth Israel Hospital - funded in part by the Louis Armstrong Foundation - treats patients in pediatrics, oncology, pain care and other specialties.</p>

<p>Now, in a remarkably challenging venture in jazz as therapy, guitarist and vocalist Marlina Teich has founded a group called Jazzheimers to bring jazz to patients suffering from Alzheimer's disease in hospitals and other convalescent venues in San Francisco ... </p>

<p>... </p>

<p>Jazzheimers is a decidedly non-profit project. <em><u>Sponsored by the Independent Arts and Media Network</u></em> [sic.], the musicians get a small stipend, but there is no budget for salaries or office space. At its start in 2005, the annual budget was $3,000, and then went up to $5,000, and is now $8,000 a year. Marlina is shooting for a survival budget of $10,000 a year.</p>

<p>I would think that foundations, Alzheimer's research organizations, and individual donors - with or without Alzheimer's patients in their families - would be pleased to help support this very small but successful reawakener of memories, melodies and dreams. If you want to contribute, write to:</p>

<p>Jazzheimers, PMB #169, 3739 Balboa Street, San Francisco, California, 94121-2605. The message phone for Jazzheimers is 415-820-1595 ... </blockquote></p>

<p><a href="http://www.jazz.com/jazz-blog/2009/6/16/hentoff-on-jazz-the-healing-touch" target="_BLANK"><strong>Read the whole article on Jazz.com.</strong></a> </p>]]>
        
    </content>
</entry>

<entry>
    <title>Indy Arts Sponsoree Brings Jazz for Healing</title>
    <link rel="alternate" type="text/html" href="http://artsandmedia.net/2009/05/indy_arts_sponsoree_brings_jaz.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://artsandmedia.net/mt_tmp/mt-atom.cgi/weblog/blog_id=8/entry_id=5935" title="Indy Arts Sponsoree Brings Jazz for Healing" />
    <id>tag:artsandmedia.net,2009://8.5935</id>
    
    <published>2009-05-06T20:09:17Z</published>
    <updated>2009-05-06T20:19:01Z</updated>
    
    <summary>Jazzheimers, a project fiscally sponsored by Independent Arts &amp; Media, is a wonderful group that brings traditional jazz into the lives of Alzheimers patients in San Francisco. A new article in The Western Edition has the details. &quot;Local performer touches...</summary>
    <author>
        <name>Josh Wilson</name>
        <uri>http://www.artsandmedia.net/</uri>
    </author>
    
        <category term="Arts &amp; Culture" />
    
    <content type="html" xml:lang="en-us" xml:base="http://artsandmedia.net/">
        <![CDATA[<p><em>Jazzheimers, a project fiscally sponsored by Independent Arts & Media, is a wonderful group that brings traditional jazz into the lives of Alzheimers patients in San Francisco. A new article in The Western Edition has the details. </em></p>

<p><strong><a href="http://www.thewesternedition.com/?c=120&a=1316" target="_BLANK">"Local performer touches Alzheimers patients through jazz"</a></strong><br />
The Western Edition, April 30, 2009</p>

<p>"The Fillmore District is no stranger to jazzy melodies and bluesy beats, but one San Francisco musician is bringing this music to a different audience -- Alzheimer's patients. Marlina Teich's nonprofit organization - Jazzheimers - performs at convalescent homes in and around the Western Addition. Through music, Teich said she hopes to entertain and connect with seniors experiencing memory loss and possibly spark a few memories from their pasts. </p>

<p>"'They respond to music in such a different way than other people,' Teich said ... "</p>

<p><a href="http://www.thewesternedition.com/?c=120&a=1316" target="_BLANK">READ THE WHOLE ARTICLE</a></p>]]>
        
    </content>
</entry>

<entry>
    <title>Group Therapy for Artists!</title>
    <link rel="alternate" type="text/html" href="http://artsandmedia.net/2009/04/diy_workshops_-_group_therapy.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://artsandmedia.net/mt_tmp/mt-atom.cgi/weblog/blog_id=8/entry_id=5932" title="Group Therapy for Artists!" />
    <id>tag:artsandmedia.net,2009://8.5932</id>
    
    <published>2009-04-23T00:23:24Z</published>
    <updated>2009-05-27T23:02:40Z</updated>
    
    <summary>Announcing Group Therapy for Artists! May - June 2009 Part of our DIY Workshop Series 6:30pm-8pm every Thursday at 1254 Mission Street (@ 8th), SF A weekly series of free workshops and social gatherings targeted to the grassroots arts community...</summary>
    <author>
        <name>Clare</name>
        <uri>http://www.artsandmedia.net/</uri>
    </author>
    
        <category term="DIY Workshops" />
    
        <category term="Events &amp; Opportunities" />
    
    <content type="html" xml:lang="en-us" xml:base="http://artsandmedia.net/">
        <![CDATA[<p><big><big>Announcing Group Therapy for Artists! </big></big><br />
<big><strong>May - June 2009 <br />
Part of our DIY Workshop Series </strong></big><br />
<big><strong>6:30pm-8pm every Thursday at 1254 Mission Street (@ 8th), SF </strong></big><br />
A weekly series of free workshops and social gatherings targeted to the grassroots arts community - organizations and individuals alike - with the goal of strengthening community, building capacity, and letting off some steam! Please join us for one or all of these fantastic events: <br />
  <br />
<big><strong>May 7th - Adventures in Fun*raising</strong>  </big>   <a href="http://adventuresinfundraising.eventbrite.com/">register now</a> <br />
<em>Presented by Mary Fuller, Nonprofit Consultant </em><br />
"Fundraising" is almost a dirty word in artist-run organizations, but it doesn't have to be. This presentation/discussion-based workshop will: <br />
•       Explore special fundraising needs of grassroots arts organizations <br />
•       Address common obstacles faced by new fundraisers <br />
•       Present case studies of successful (and unsuccessful) fundraising events and campaigns <br />
•       Engage participants in small-group brainstorming exercise to help generate creative approaches to your next campaign <br />
  <br />
<big><strong>May 14th -Kick-Ass Events </strong>   </big> <a href="http://kickassevents.eventbrite.com/">register now</a> <br />
<em>An esteemed panel presentation featuring Robert Maldonado (Green Zone Productions), Baby Doe (Tease-O-Rama), and Cameron Eng (Dark Room Productions)</em> <br />
Events are exciting, fun, create buzz and build community for your project or organization, but they also require a lot of planning and know-how! We bring in the experts (with experience covering theater, green events, parades and burlesque shows!) to talk about what goes into planning and executing a successful event. <br />
  <br />
<big><strong>May 21st - Sexy Finances 101   </strong></big>  <a href="http://sexyfinances101.eventbrite.com/">register now</a> <br />
<em>Yesenia Sanchez of Soleil Coaching & Consulting presents the "Passion & Prosperity" workshop series! </em><br />
"This dance ain't for everyone, only the sexy people." <br />
Learn how to keep it sexy with finances! Take a deep breath and learn the basics: <br />
•       What is a profit & loss? <br />
•       What is a balance sheet? <br />
•       How to create a simple budget <br />
•       The difference between contributed and earned income <br />
And more...all within an atmosphere that respects and embraces your creative side. <br />
  <br />
<big><strong>June 4th - T.C.O.B (Takin' Care of Business) Planning </strong>    </big><a href="http://tcobplanning.eventbrite.com/">register now</a> <br />
<em>Yesenia Sanchez of Soleil Coaching & Consulting presents the "Passion & Prosperity" workshop series! </em><br />
Do you want to be a kick-ass entrepreneur, a biznazz ninja, Janet Jackson circa 1986 - in CONTROL? In this workshop you will be introduced to the basics of building a simple business plan that you can use to apply for funding and/or as a basis for operating your business. All within an atmosphere that respects and embraces your creative side. <br />
  <big><br />
<strong>June 11th - Build Your Artist's and Writer's Resume </strong> </big>   <a href="http://theartistsresume.eventbrite.com/">register now</a> <br />
<em>How to build a compelling list of publications and exhibitions. Presented by Joan Gelfand. </em><br />
How do you get exhibited or published? How do artists and writers get to the MOMA? The New Yorker? By working a strategic plan that combines systematic submissions of work, networking and community involvement, artists and writers can improve their 'luck' and their chance at success. The workshop will have handouts that include resource lists and guidelines for developing a submission strategy. <br />
  <br />
<big><strong>June 18th - New Media and Online Promotion</strong>   </big>  <a href="http://newmediaworkshop.eventbrite.com/">register now</a> <br />
<em>An esteemed panel presentation featuring: Sarah Dopp (blogger, writer, social media consultant), Hannah Eaves (Director of New Media, Link TV), and others TBA</em><br />
There are hundreds of online promotional tools you can use to market yourself, your art or your event. Which ones should you choose? This panel of experts will help you think through and plan your use of new media strategically and masterfully! </p>]]>
        
    </content>
</entry>

<entry>
    <title>Persephone Miel: What Should PBS Do?</title>
    <link rel="alternate" type="text/html" href="http://artsandmedia.net/2009/04/persephone_miel_what_should_pb.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://artsandmedia.net/mt_tmp/mt-atom.cgi/weblog/blog_id=8/entry_id=5918" title="Persephone Miel: What Should PBS Do?" />
    <id>tag:artsandmedia.net,2009://8.5918</id>
    
    <published>2009-04-13T20:13:49Z</published>
    <updated>2009-05-28T19:35:57Z</updated>
    
    <summary>On Public Media: Conversations on Media &amp; Democracy Internews Network&apos;s PERSEPHONE MIEL, a recent fellow at Harvard&apos;s Berkman Center, brings some Internet-era vision for the idea of public media. Rather than look to new nonprofits and new structures, she says...</summary>
    <author>
        <name>Josh Wilson</name>
        <uri>http://www.artsandmedia.net/</uri>
    </author>
    
        <category term="Democracy" />
    
        <category term="Journalism &amp; Media" />
    
    <content type="html" xml:lang="en-us" xml:base="http://artsandmedia.net/">
        <![CDATA[<p><em><a href="http://artsandmedia.net/2009/03/on_public_media_conversations.html">On Public Media: Conversations on Media & Democracy</a></em> </p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="pmiel_0.jpg" src="http://artsandmedia.net/archive_files/pmiel_0.jpg" width="90" height="120" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></span>Internews Network's <a href="http://cyber.law.harvard.edu/people/pmiel" target="_blank">PERSEPHONE MIEL</a>, a recent fellow at Harvard's Berkman Center, brings some Internet-era vision for the idea of public media. Rather than look to new nonprofits and new structures, she says the real opportunity is to activate existing public media -- PBS, NPR, the Corporation for Public Broadcasting -- to more effectively serve people and communities. But this may require a reinvention of what an NPR or PBS "station" is, as well as a reimagining of the role of taxpayer funding in this picture. </p>

<p>Read Miel's lively <a href="http://blogs.law.harvard.edu/mediarepublic/" target="_BLANK">blog</a> for more media criticism and commentary, and check out her  Berkman fellowship project, <a href="http://cyber.law.harvard.edu/pubrelease/mediarepublic/" target="_BLANK">Media Re:public</a>. </p>

<p><b>Notable Quotes</b></p>

<p>&bull; <u>MISSED POTENTIAL</u>: "There's a really strong sense ... that public broadcasting has a huge <I>potential</I> role to play, as the media landscape shifts and as we shift into more and more online delivery and platform-agnostic content. But there's a really good chance that they're not going to seize that opportunity, and that [public broadcasters] could end up being completely irrelevant to the next wave of journalism -- which would be sad."</p>

<p>&bull; <u>INTERNET'S ROLE</u>: "A lot of what people hope to see happen in the new media space, when people are feeling optimistic, is the kinds of things that public media broadcasting was supposed to do -- I mean, is supposed to do: serve the community in its entirety, be accessible, really reflect the community, and so on."</p>

<p>&bull; <u>WHY NO PARTNERSHIPS?</u> "Public media is supposed to be going where the people are, regardless of whether there's money there or not. So the fact that they don't seem to be looking for partnerships with local nonprofit-place bloggers or other things, trying to bring in that new stuff, now that they can -- it's kind of depressing." </p>

<p>&bull; <u>NOT PAYING ATTENTION</u>: "[P]arts of public media have not taken advantage of the ability to listen to their audience in the way that the Internet era affords, and that people are more and more coming to expect. This has nothing to do with the Internet era, really ... we have a lot of discussions about the media ignoring people in the lower-income percentile, not representing them, not being interested in them -- and I certainly think that public media should be working to a higher standard on that front, and I don't really think they do."</p>

<p>&bull; "Many of the same exact things that are happening within newspapers are happening in public radio."</p>

<p>&bull; "Maybe what we really need to do is expand the Corporation for Public Broadcasting's charter, so that they can fund online-only resources."</p>

<p>&bull; "Public broadcasters need to get over themselves, [they're] as bad or even worse than many of the print journalists about the high-priesthood thing."</p>

<p><b>PERSEPHONE MIEL, ON PUBLIC MEDIA</b><br />
<font size="-1">Conducted by Josh Wilson, May 2008</a></font></p>

<p><i>Give me your sense of the strengths and weaknesses of public media in the Internet era.</i></p>

<p>Ha. That's a small question. Well, first of all, there's a growing consensus among people within public media -- when I say 'public media' at this point, I'm meaning just standard public broadcasting, NPR and public radio and television -- to talk about public media and public-service media as something bigger than that, and as something we need more of, and that it could be lots of different things. </p>

<p>There's a really strong sense both within the system, and certainly from a lot of critics, or not even so much critics, but people who want public media to succeed, and value it -- that public broadcasting has a huge <I>potential</I> role to play, as the media landscape shifts and as we shift into more and more online delivery and platform-Agnostic content. </p>

<p>But there's a really good chance that they're not going to seize that opportunity, and that [public broadcasters] could end up being completely irrelevant to the next wave of journalism -- which would be sad.</p>

<p><i>While the potential is exciting, the failure to seize the opportunity should at least be instructive.</i> </p>

<p>A lot of what people hope to see happen in the new media space, when people are feeling optimistic, is the kinds of things that public media broadcasting was supposed to do -- I mean, is supposed to do: serve the community in its entirety, be accessible, really reflect the community, and so on. </p>

<p>You end up seeing people within public broadcasting who have gotten very locked in, to the extent that even the TV people and radio people don't really work together very well, a lot of the time ... but even more so, that they're not doing a great job of taking their own content online. </p>

<p>And they're also not taking on a role of being a welcoming place for other people who might be wanting to do that.  </p>

<p>There's all these foundations out there funding little tiny experiments of citizen journalism and so on, and hyperlocal -- and many of them are nonprofit. And it just strikes me, why are we creating more nonprofit media when we already have a whole lot of nonprofit media organizations around the country who could be, in theory, boosting these new efforts, or making them happen? </p>

<p>We all know that there's organizational-culture problems that are certainly not only within public media ... </p>

<p>But <I>public media</I> is supposed to be going where the people are, regardless of whether there's money there or not. So the fact that they don't seem to be looking for partnerships with local nonprofit-place bloggers or other things, trying to bring in that new stuff, now that they can -- it's kind of depressing.</p>

<p>And there's a real split -- the problem is there are people within NPR and within local stations, as well as within PBS and within local stations, that really do want to move this stuff forward -- and there are some really interesting experiments. </p>

<p><i>What are some of those experiments?</i></p>

<p>Minnesota Public Radio has a whole bunch of things that they're doing, there's <a href="http://minnesota.publicradio.org/publicinsightjournalism/" target="_BLANK">Public Insight Journalism Network</a>, you probably know about ... And New Hampshire Public Radio, which is tiny, but which has done some little citizen journalism things -- they did this thing called <a href="http://primaryplace.org/" target="_BLANK">Primary Place</a> -- and Chicago Public Radio is in the middle of a really huge experiment of having launched an entirely separate radio station, that uses none of the NPR content -- it's called <a href=" http://vocalo.org/" target="_BLANK">Vocalo</a>. Check it out. They openly admit that they don't know if it's going to succeed, but -- </p>

<p><i>At least they're trying.</i></p>

<p>Yes. At least they're trying. </p>

<p><i>So you see some leadership, at the local level, or at the state level?</i></p>

<p>Not that I have a lot of inside knowledge of it, but -- one of the reasons that Ken Stern left NPR was that there was a lot of tension between the national organizations and the big stations versus the little stations who felt that they weren't getting enough support -- that they were being left behind, and not helped to do new digital things. </p>

<p>And then at the national level I think there's a certain amount of feeling of like, "Well, they just don't get it" -- I mean just the sort of typical city-cousin, country-cousin kind of thing ... nothing unusual about that.</p>

<p><i>My perspective is that it's wide open, right now -- but my own work trying to take public media online has been very challenging at the institutional level. Members of the public get it. But the institutions seem out of step with that. Why has it been so difficult? Why aren't people paying attention?</i> </p>

<p>Many of the same exact things that are happening within newspapers are happening in public radio. And, y'know, I think [the Corporation for Public Broadcasting] sometimes finds their hands tied, because of their original covenant, which is actually determined by the law -- they're only allowed to fund public broadcasting stations -- officially, they're only allowed to fund projects that will be broadcast. </p>

<p>They obviously want everything to have more and more of a Web component. For me the question is what the local stations really want to do and become. Not soon, but at some point, the whole model of how they deliver their stuff is going to get ripped apart. </p>

<p>People really just aren't going to care anymore whether they get their signal on a local broadcast frequency -- they'll be either using satellite radio, or they'll be using podcasts, or they'll be listening to it over the Internet, including on their mobile phone. It really won't matter whether that organization is in Milwaukee or Washington, D.C. anymore. </p>

<p>Some go to one of the national services, there's American Public Media and Public Radio International and so on, but what are they going to do as that broadcast function becomes irrelevant? </p>

<p><i>I bet you have an answer for that.</i></p>

<p>Well -- no, I don't have a full answer. I mean, I think they basically have to decide whether they want -- either they can go to a completely bare-bones retransmission operation for the people who still have radios, because obviously people will still use radios for a long time, it's not going to go away in a year or probably ten years, it's just that there'll be so many other options. </p>

<p><I>Or</I> they can decide they really do want to be a local media operation, and find a way to do that that's competitive, which would probably mean finding a way to hook up with local or regional citizen-journalist initiatives, blogs, maybe local governments providing information systems -- and really re-imagining themselves not as radio or TV stations but as community news hubs.</p>

<p>But it's not in any way clear that that would necessarily work; it may depend a lot on the community. </p>

<p><i>What can public media be doing to support actual journalism? What about ProPublica?</i> </p>

<p>[Laughs] That's a-whole-nother question. I think nobody knows that. We just don't know yet. </p>

<p><i>Yeah, let's not worry about them quite yet.</i></p>

<p>Right, so ... NPR is a huge news organization, right? And it does very good work, and they could aspire to do more work and better work if they wanted. And they have a really huge reach in the market. </p>

<p>And then PBS doesn't really have a big news organization -- they have one half-hour news program that might as well be on radio, pretty much -- and yet it's still very influential ... and Frontline. I'm not worried about Frontline. Frontline is going to exist no matter what. They will find a home no matter what happens to WGBH.</p>

<p><i>Tell me more about the roles public media could play in the Internet era -- you spoke about how there's an opportunity to become more of a community resource.</i> </p>

<p>The question is whether some amount of important journalism is going away as newspapers fail, or get bought out, or get smaller, or become nothing but a shell for AP content and advertising, right? Let's just assume that might be true. So you have that happening on the one side -- and you have people talking about the need for nonprofit journalism on the other side -- and so, who should be filling that local news gap? If it's going to be nonprofit, why shouldn't it be somehow part of public media? </p>

<p><i>And specifically the NPR or PBS legacy networks?</i></p>

<p>[Laughs] "Legacy networks ... "</p>

<p><i>I meant that simply as "already existing."</i></p>

<p>Maybe what we really need to do is expand the Corporation for Public Broadcasting's charter, so that they can fund online-only resources. </p>

<p><i>Must it come from CPB?</i></p>

<p>Not necessarily, but I mean, why -- why create a new CPB, right? CPB has got a budget.</p>

<p><i>You just have to wonder about how politicized it is. Should we be planning around that? Such as what Charles Lewis said about the Marshall Plan for journalism. It sounds to me like there are ideas for something other than CPB to do that, that could be nonprofit, or public/private -- but not linked to a government charter.</i> </p>

<p>Right -- um, well yeah, unless you think that the, whatever, $70 million the CPB gives away is our money. [Laughs]</p>

<p><i>That's a great point. There is just such an expectation of, "why bother working with CPB, it's so politicized -- you can't fight City Hall," but it is our money.</i></p>

<p>Right. [And] to some extent, I think in certain ways, foundation money is our money too. The tax breaks that we give whoever donated the money ...</p>

<p><i>You would like to see some courage on the part of the campaigners, perhaps -- to try and set their sights on CPB and try to open it up and loosen it up somehow?</i></p>

<p>What do you mean when you say 'campaigners'?</p>

<p><i>I guess when I said that I envisioned the National Conference on Media Reform, who are all about building campaigns. So maybe there is a leadership opportunity here.</i></p>

<p>Maybe. </p>

<p><i>What are the lessons of the Internet era that public media should take to heart?</i></p>

<p>One of the things that got said at <a href="http://www.mediagiraffe.org/wiki/index.php/Jtm-sv" target="_BLANK">News Tools 2008</a>, and I can't remember who, but someone said, "aggregation is creation." </p>

<p>It's one of the classic complaints against all traditional media -- that it's taken them forever to figure out that it's actually to their advantage to point people to other people's stuff. But public media is, from most of the Web sites that I've looked at, pretty bad at that. </p>

<p>And lots of parts of public media have not taken advantage of the ability to listen to their audience in the way that the Internet era affords, and that people are more and more coming to expect. </p>

<p>This has nothing to do with the Internet era, really ... we have a lot of discussions about the media ignoring people in the lower-income percentile, not representing them, not being interested in them -- and I certainly think that public media should be working to a higher standard on that front, and I don't really think they do.</p>

<p><i>What should public media look and act like in the twenty-first century? What are the opportunities that public media-makers, academics, nonprofit leaders and grantmakers should be thinking about?</i></p>

<p>Partnerships, partnerships, partnerships. Public broadcasters need to get over themselves, [they're] as bad or even worse than many of the print journalists about the high-priesthood thing. </p>

<p>They need to look at more partnerships and kind of reach outside of themselves, whether it is to local bloggers or schools, and really see themselves as a community service and less as a high-priesthood.</p>

<p>And we have to get rid of pledge drives. </p>

<p><i>And they have to -- oh -- get rid of pledge drives?</i></p>

<p>[Laughs] Yes; that's essential. </p>

<p><i>Really -- how are they going to pay for themselves?</i></p>

<p>Well, we have people working on that.</p>

<p><i>Tell me about it.</i></p>

<p>[I]t's called <a href="http://cyber.law.harvard.edu/projectvrm/Main_Page" target="_BLANK">Project VRM</a> -- Vendor Relationship Management. Doc Searls and a whole group of folks around the world are working on it. </p>

<p>[Publisher's Note: Future editions of On Public Media will address the topic of what vendor relationship management is.]<br />
</p>]]>
        
    </content>
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<entry>
    <title>ArtHouse presents &quot;Words+Music 2: Tales of Betrayal &amp; Revenge&quot;</title>
    <link rel="alternate" type="text/html" href="http://artsandmedia.net/2009/04/arthouse_presents_wordsmusic_2.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://artsandmedia.net/mt_tmp/mt-atom.cgi/weblog/blog_id=8/entry_id=5911" title="ArtHouse presents &quot;Words+Music 2: Tales of Betrayal &amp; Revenge&quot;" />
    <id>tag:artsandmedia.net,2009://8.5911</id>
    
    <published>2009-04-08T00:40:27Z</published>
    <updated>2009-04-08T00:59:49Z</updated>
    
    <summary> Thursday, April 16, 2009 7:30pm 1360 Mission Street, San Francisco ArtHouse hosts Program 2 of a four-part &quot;Words+Music&quot; series. This evening presents new fiction + new compositions &amp; improvised music, interactive video installations, libations &amp; snacks. &quot;Words+Music&quot; is a...</summary>
    <author>
        <name>Clare</name>
        <uri>http://www.artsandmedia.net/</uri>
    </author>
    
        <category term="Arts &amp; Culture" />
    
        <category term="Events &amp; Opportunities" />
    
    <content type="html" xml:lang="en-us" xml:base="http://artsandmedia.net/">
        <![CDATA[<form mt:asset-id="9" class="mt-enclosure mt-enclosure-image" style="display: inline;"><img<form mt:asset-id="9" class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="WordsMusic.jpg" src="http://artsandmedia.net/WordsMusic.jpg" width="388" height="468" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" />
<strong><big>Thursday, April 16, 2009 7:30pm
1360 Mission Street, San Francisco</big></strong>

<p><a href="http://www.arthouseca.org/"><strong>ArtHouse</strong></a> hosts Program 2 of a four-part "Words+Music" series. This evening presents new fiction + new compositions & improvised music, interactive video installations, libations & snacks.</p>

<p>"Words+Music" is a literary & musical series inspired by the creative community of Arthouse. The series juxtaposes new works in a cross-disciplinary, creative conversation. The evening features unique collaborations of emerging & established artists in a convivial, thought-provoking atmosphere.</p>

<p><strong>Performers & participating artists include:</strong><br />
	<li>Scott Hutchins - fiction<br />
	<li>Adam Johnson - fiction<br />
	<li>Classical Revolution - music<br />
	<li>Minna Choi - composer<br />
	<li>The Poetry Store by Silvi Alcivar<br />
	<li>Chris Basmajian - video artist</p>

<p>$8 advance tickets, $10-$15 sliding scale at door<br />
(advance tickets available at <a href="http://www.brownpapertickets.com/event/60038">brownpapertickets.com</a>)</p>

<p><a href="http://www.arthouseca.org/">www.arthouseca.org</a><br />
A Resource for the Arts Community</p>]]>
        
    </content>
</entry>

<entry>
    <title>Hyphen magazine&apos;s SIX in the City birthday party (Friday, 3/27 @ Club Six, SF)</title>
    <link rel="alternate" type="text/html" href="http://artsandmedia.net/2009/03/hyphen_magazines_six_in_the_ci.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://artsandmedia.net/mt_tmp/mt-atom.cgi/weblog/blog_id=8/entry_id=5900" title="Hyphen magazine's SIX in the City birthday party (Friday, 3/27 @ Club Six, SF)" />
    <id>tag:artsandmedia.net,2009://8.5900</id>
    
    <published>2009-03-25T20:31:02Z</published>
    <updated>2009-03-25T21:49:33Z</updated>
    
    <summary>Hyphen is turning 6. That&apos;s like 30 in independent magazine years! With so many independent publications struggling these days, we are darn proud they&apos;re still here - alive and kicking. (Hyphen is a fiscally sponsored project of Independent Arts &amp;...</summary>
    <author>
        <name>Clare</name>
        <uri>http://www.artsandmedia.net/</uri>
    </author>
    
        <category term="Arts &amp; Culture" />
    
        <category term="Events &amp; Opportunities" />
    
        <category term="Journalism &amp; Media" />
    
    <content type="html" xml:lang="en-us" xml:base="http://artsandmedia.net/">
        <![CDATA[<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Hyphen - 6inthecity.jpg" src="http://artsandmedia.net/Hyphen%20-%206inthecity.jpg" width="500" height="666" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></span><strong>Hyphen is turning 6.</strong> That's like 30 in independent magazine years! With so many independent publications struggling these days, we are darn proud they're still here - alive and kicking. (Hyphen is a fiscally sponsored project of Independent Arts & Media.) Come celebrate with us!</p>

<p><strong>Six in the City</strong><br />
Friday, March 27th, 2009<br />
9-2a @ club six, san francisco</p>

<p>$10 | $20 w/ a subscription (50% off) | 21+</p>

<p>*free subscription to first 50 guests! (courtesy of IW group)*</p>

<p>live music, live art, birthday cake & prize giveaways.</p>

<p>performing LIVE: <a href="http://www.myspace.com/theinvisiblecities">The Invisible Cities</a> & <a href="http://www.myspace.com/treecitylegends">Denizen Kane</a>  </p>

<p>fashion by: <a href="http://www.vintagejoy.com/">Vintage Joy</a></p>

<p>eclectic beats by:<br />
<a href="http://www.djlonline.com/Site/Main_Page.html">DJL!</a><br />
<a href="http://www.popscene-sf.com/">Nako (Popscene)</a><br />
<a href="http://www.myspace.com/deejayrave">Rav-E (Nonstop Bhangra)</a><br />
<a href="http://profile.myspace.com/index.cfm?fuseaction=user.viewProfile&friendID=64955757">Citizen Ten</a><br />
<a href="http://www.imeem.com/people/rHQAnzG/">DJ Esquire</a><br />
PaulDon'tPaul</p>

<p>Live Art: <a href="http://alexchiu.carbonmade.com/">Alex Chiu</a> & Luis Tinoco</p>

<p>RSVP on <a href="http://sanfrancisco.going.com/sixinthecity">going.com</a> and <a href="http://www.facebook.com/home.php?#/event.php?eid=57362162299&ref=nf">facebook</a> too.<br />
</p>]]>
        
    </content>
</entry>

<entry>
    <title>On Public Media: Conversations About Media &amp; Democracy</title>
    <link rel="alternate" type="text/html" href="http://artsandmedia.net/2009/03/on_public_media_conversations.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://artsandmedia.net/mt_tmp/mt-atom.cgi/weblog/blog_id=8/entry_id=5890" title="On Public Media: Conversations About Media &amp; Democracy" />
    <id>tag:artsandmedia.net,2009://8.5890</id>
    
    <published>2009-03-17T05:35:45Z</published>
    <updated>2009-04-13T20:27:41Z</updated>
    
    <summary>What, exactly, is &quot;public media&quot; in an era of vanishing newspapers, expanding Internet and wireless networks, empowered publics and an increasingly lively (if chaotic) nonprofit-news sector? On Public Media pursues this fluid notion in conversation with diverse journalism practitioners, advocates,...</summary>
    <author>
        <name>Josh Wilson</name>
        <uri>http://www.artsandmedia.net/</uri>
    </author>
    
        <category term="Democracy" />
    
        <category term="Journalism &amp; Media" />
    
    <content type="html" xml:lang="en-us" xml:base="http://artsandmedia.net/">
        <![CDATA[<p>What, exactly, is "public media" in an era of vanishing newspapers, expanding Internet and wireless networks, empowered publics and an increasingly lively (if chaotic) nonprofit-news sector? </p>

<p>On Public Media pursues this fluid notion in conversation with diverse journalism practitioners, advocates, educators, academics, admirers and critics. Our initial round of participants include Geneva Overholser of USC's Annenberg School of Communications, Jessica Clark of American University's Center for Social Media, Charles Lewis, founder of the Center for Public Integrity, and others. </p>

<p><font size="-1">April 13, 2009</font><br />
<strong><a href="http://artsandmedia.net/2009/04/persephone_miel_what_should_pb.html" target="_BLANK">Persephone Miel: What Should PBS Do?</a></strong></p>

<p><a href="http://cyber.law.harvard.edu/people/pmiel" target="_blank">PERSEPHONE MIEL</a>, a fellow at Harvard's Berkman Center, brings some Internet-era vision for the idea of public media. Rather than look to new nonprofits and new structures, she says the real opportunity is to activate existing public media -- PBS, NPR, the Corporation for Public Broadcasting -- to more effectively serve people and communities. But this may require a reinvention of what an NPR or PBS "station" is, as well as a reimagining of the role of taxpayer funding in this picture. </p>

<p><font size="-1">March 17, 2009</font><br />
<strong><a href="http://artsandmedia.net/2009/03/on_public_media_ted_glasser_an.html" target="_BLANK">Ted Glasser: The Case for a National Endowment for Journalism</a></strong></p>

<p>On Public Media kicks off with a conversation with <a href="http://communication.stanford.edu/faculty/glasser.html" target="_blank">TED GLASSER</a>, a professor of communications at Stanford University, and an advocate of national-scale reform of through the creation of a National Endowment for Journalism. He also weighs in on the FCC and its adequacy to the changing media moment, and the importance of developing journalism support structures that can serve basic civic needs, particularly in communities that the commercial model for news publishing overlooks. </p>]]>
        
    </content>
</entry>

<entry>
    <title>Ted Glasser: Imagining a National Endowment for Journalism</title>
    <link rel="alternate" type="text/html" href="http://artsandmedia.net/2009/03/on_public_media_ted_glasser_an.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://artsandmedia.net/mt_tmp/mt-atom.cgi/weblog/blog_id=8/entry_id=5889" title="Ted Glasser: Imagining a National Endowment for Journalism" />
    <id>tag:artsandmedia.net,2009://8.5889</id>
    
    <published>2009-03-16T23:10:23Z</published>
    <updated>2009-05-28T19:35:42Z</updated>
    
    <summary>On Public Media: Conversations on Media &amp; Democracy Go big or go home! For its debut edition, On Public Media chats with Stanford communication professor TED GLASSER, who brings a fifty-state strategy with his modest proposal for the creation of...</summary>
    <author>
        <name>Josh Wilson</name>
        <uri>http://www.artsandmedia.net/</uri>
    </author>
    
        <category term="Democracy" />
    
        <category term="Journalism &amp; Media" />
    
    <content type="html" xml:lang="en-us" xml:base="http://artsandmedia.net/">
        <![CDATA[<p><em><a href="http://artsandmedia.net/2009/03/on_public_media_conversations.html">On Public Media: Conversations on Media & Democracy</a></em> </p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="glasser-180x240.jpg" src="http://artsandmedia.net/archive_files/glasser-180x240.jpg" width="180" height="240" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></span>Go big or go home! For its debut edition, On Public Media chats with Stanford communication professor <a href="http://communication.stanford.edu/faculty/glasser.html" target="_blank">TED GLASSER</a>, who brings a fifty-state strategy with his modest proposal for the creation of a National Endowment for Journalism. </p>

<p>Glasser also weighs in on the FCC and its adequacy to the changing media moment, and the importance of developing journalism support structures that can serve basic civic needs, particularly in communities outside of the commercial news-publishing model's target audience.  </p>

<p><strong>Notable Quotes</strong></p>

<p>&bull; <u>BIG VISIONS</u>: "We're at the very early stages of talking about what a National Endowment for Journalism might look like ... we haven't figured out most of the details, but there are any number of opportunities to secure substantial funding for something like this.</p>

<p>"One good place to begin would be by tapping into the billions of dollars the FCC brings in when it auctions off our airwaves, those natural resources, and those auctions are likely to continue, and they bring in billions of dollars, and there's no reason why that couldn't be used to begin to create and endowment for journalism." </p>

<p>&bull; <u>JOURNALISM ALTERNATIVES</u>: "Alternative journalism is journalism aimed at people who aren't well-served by existing newsrooms -- they're not hard to identify. They're all over the United States. Almost every inner city lacks a serious neighborhood newspaper. You go up and down the [San Francisco ] Peninsula, and it's not difficult to find the poorer communities without weekly newspapers."</p>

<p>&bull; <u>REFORM</u>: "[I]t needs to be radical reform, in the sense that it needs to get at the root of the problem, and that is the absence of the infrastructure to support the kind of journalism we would all agree we want. I'm not proposing any radical or strange form of journalism. I'm trying to find a way to support what almost everyone would agree is the kind of journalism we need." </p>

<p>&bull; <u>THE INTERNET</u>: "[T]he early talk about the Internet democratizing the world is far off base. We've made the same claims about almost every new communication technology. That's not to deny that computerization of communication has fundamentally altered the landscape -- it has. And it's created all sorts of interesting and new opportunities. </p>

<p>"But the opportunities depend on ... a core of quality journalists. And that's the very core that's shrinking now. I mean, we keep firing some of the most talented, or encouraging them to take buyouts, and it gets reported in the most euphemistic ways. We don't even use the word fired -- it's 'laid off,' 'bought out' -- these people are being fired! At a time when we need more journalism, not less journalism."</p>

<p>&bull; <u>NATIONAL DIALOGUE</u>: "We need a national commission, and this coincides with -- supports -- a notion of a National Endowment for Journalism, that ask these larger questions: What system of journalism does a democracy of the kind we have in the United States need? To what extent can the marketplace sustain it, to what extent can it not? And to the extent that we agree that the marketplace cannot sustain the kind of journalism we all agree we need, then we need to ask ourselves what can we do to bring that about. Rather than accepting whatever the marketplace yields."</p>

<p><strong>TED GLASSER, ON PUBLIC MEDIA</strong><br />
<font size="-1">Interview conducted by Josh Wilson, May 2008</font></p>

<p><i>Most of the folks I've been speaking to have been thinking about public media in a very broad sense, not in terms of state-sponsored media, but more generally in terms of developing new nonprofit models. And every now and then somebody says "oh, but then there's Corporation for Public Broadcasting, using our money, maybe we should make them more responsive to our needs." </p>

<p>It's odd that it's so easy to forget that public media traditionally has had that presence in our lives. Or had it -- and if it doesn't anymore, why is that?</i></p>

<p>Ted Glasser: Well, it's never been a major force in American society. We have an aversion to the state playing that kind of role. Now we have, as you point out, we do have the Corporation for Public Broadcasting, but it's been systematically underfunded to the point where, compared to European countries and elsewhere in the world, we just don't take it seriously.</p>

<p><em>So in general, you don't think that um programs like McNeil-Lehrer and All Things Considered are important but don't own as much of the public market share as they should?</em></p>

<p>I think they're vitally important, although I'm not a big fan of McNeil-Lehrer News Hour, but I think public broadcasting is vitally important. I think funding for it ought to be strengthened, but more importantly the idea of publicly supported media, not publicly owned and controlled, but publicly supported media deserves more of our attention.</p>

<p><i>Okay ...</i></p>

<p>But not just radio and television -- there's a particular bias in the United States in favor of talking about public support for broadcasting even though it's marginal, but there's virtually no conversation about creating a system of subvention for other media --</p>

<p><i>Subvention?</i></p>

<p>Subsidy.</p>

<p><i>For other forms? For example, online media?</i></p>

<p>It could be anything, we don't need to talk about what it is, what we need to talk about is the importance of a system of strong, sustainable newsrooms. Whether those newsrooms produce material for websites or newspapers or radio or television is less important, and partly because most newsrooms are multimedia now anyway, so specifying the technology is really increasingly beside the point.</p>

<p><i>You do have a prescription for the situation you just described, and I'm wondering if you could describe that a little.</i></p>

<p>Well we're at the very early stages of talking about what a National Endowment for Journalism might look like ... we haven't figured out most of the details, but there are any number of opportunities to secure substantial funding for something like this. </p>

<p>One good place to begin would be by tapping into the billions of dollars the FCC brings in when it auctions off our airwaves, those natural resources, and those auctions are likely to continue, and they bring in billions of dollars, and there's no reason why that couldn't be used to begin to create and endowment for journalism. </p>

<p>And then the task would be to define what we mean by journalism, what kind of journalism do we want to support. The goal would be to create the conditions for supporting journalism that the marketplace no longer supports or never supported. </p>

<p>So it would be alternative forms of journalism, journalism aimed at minority communities, journalism where communities are deemed to be demographically unattractive. You know, the places that have historically been disenfranchised and are increasingly disenfranchised given the failure of the business model of journalism.</p>

<p><i>What about the seeming lack of interest by the American public in serving the underserved via public media, i.e., viewing it as "alternative" journalism, which I suppose has all sorts of political implications.</i> </p>

<p>Alternative journalism is journalism aimed at people who aren't well-served by existing newsrooms -- they're not hard to identify. They're all over the United States. Almost every inner city lacks a serious neighborhood newspaper. You go up and down the [San Francisco] Peninsula, and it's not difficult to find the poorer communities without weekly newspapers. The stronger communities like Palo Alto are amply served with local media.</p>

<p><i>So by alternative news you mean --</i></p>

<p>I mean alternative to the marketplace.</p>

<p><i>Can you speak about the strengths and weaknesses of public media in the Internet era?</i></p>

<p>By public media you mean -- ?</p>

<p><i>Everybody has been defining it in their own way, so I'm reluctant to impose my own definition. I'd like to use an inclusive one -- to say that both existing traditional public media, publicly owned media, as well as emerging publicly supported models --</i></p>

<p>Do you include privately owned?</p>

<p><i>You know, Geneva Overholser suggested, when I was talking to her, that subscriptions and newsstand sales do constitute a form of public support for commercial and privately owned papers ... but I think we do need to speak about the tax-exempt sector.</i></p>

<p>I think there's a very weak and underdeveloped infrastructure for public media. That's not to say that there aren't great examples of people doing wonderful work, but it's hit-and-miss, there's no systematic support for it, and that's why I think there needs to be public support for public media, not simply philanthropic support, not simply entrepreneurial support, but something that we can count on that will create not simply outlets, but outlets that coalesce into a larger system. </p>

<p>I think what the United States desperately needs is not simply alternative media or minority media that serves the needs of the particular community, but [to] find ways to create linkages to successively larger media, which is to say that there needs to be a relationship between mainstream and minority media, so that local communities get to participate in successively larger discussions, so that we create opportunities for participation in society through a system of media --</p>

<p><i>You are describing something a lot more aggressive than the piecemeal approach of, "Let's support this small project here." That's the philanthropic approach right now -- very cautious, focused on the entrepreneurial side and lacking vision for what you describe as a system.</i>  </p>

<p>I think you're absolutely right. And it needs to be radical reform, in the sense that it needs to get at the root of the problem, and that is the absence of the infrastructure to support the kind of journalism we would all agree we want. I'm not proposing any radical or strange form of journalism. I'm trying to find a way to support what almost everyone would agree is the kind of journalism we need. </p>

<p><i>Does the Internet provide that opportunity? Is it the ideal mass medium for what you're talking about, or does it need to be more inclusive of traditional media?</i></p>

<p>It depends on what you're trying to do. There's still a digital divide in the United States. And it's in part a divide grounded in funding and funds. It still costs money to buy a computer. And there's a literacy question. You need to be able to operate the software. I don't know of a recent study that suggests how big this divide is, but we need to find ways of getting computers into the hands of more people and getting more people to be comfortable with computers if the Internet is going to serve the role of an alternative newspaper.</p>

<p><i>But it sounds like you don't think the Internet is itself a magic bullet that's going to make it all better.</i></p>

<p>Oh no, the early talk about the Internet democratizing the world is far off base. We've made the same claims about almost every new communication technology. That's not to deny that computerization of communication has fundamentally altered the landscape -- it has. And it's created all sorts of interesting and new opportunities. </p>

<p>But the opportunities depend on ... a core of quality journalists. And that's the very core that's shrinking now. I mean, we keep firing some of the most talented, or encouraging them to take buyouts, and it gets reported in the most euphemistic ways. </p>

<p>We don't even use the word fired -- it's "laid off," "bought out" -- these people are being fired! At a time when we need more journalism, not less journalism. </p>

<p><i>One of the things that comes to mind when I think of a large system of support is -- control versus independence. One of the key points of the <a href="http://spj.org/ethicscode.asp" target="_blank">SPJ Code of Ethics</a> is to act independently, which is something that isn't as possible in the hierarchical commercial newsrooms of the day. </i></p>

<p>With regard to control and independence, I think it's a non-issue, in fact it's easier to maintain independence and control in a publicly-supported media environment than a privately-supported one because 1) there's more transparency and 2) there's more accountability. </p>

<p>We can demand from the state transparency and accountability that we can never demand of Google or Yahoo or anything. Now that isn't to say that the conditions for independence and autonomy seem to me to be stronger in the public sector than the private sector. And you know NPR has exhibited, if not more, certainly as much independence as any other news outlet in the United States. </p>

<p>I'm more fearful of the subtle but insidious control that advertising imposes on the press, and the insidious and not-so-subtle control that people like Murdoch impose on the press. and we as the public -- there's nothing we can say about that. There's no one we can call, there's no one we can convene, we just accept it. </p>

<p>And you hear the phrase constantly in journalism "these are the realities we have to accept." And I think that's the phrase we need to abandon. These are not the realities we have to accept. We should identify for ourselves the ideal set of conditions and then ask ourselves how do we get there. Rather than accepting the conditions that are imposed on us by a model that equates free enterprise with free press.</p>

<p><i>It seems like the media-reform community -- who often focus on exclusively top-level policy and aren't really involved with producing journalism -- sometimes suggests that all we need is a friendly FCC and everything will be nice and pleasant and the corporations will behave. That's a simplification of their message -- but do you think that that is a step towards having transparency, being able to make demands on the private sector?</i></p>

<p>The FCC only deals with broadcasting. The whole media landscape calls into the question the role of the Federal Communications Commission. The FCC was modeled on the Interstate Commerce Commission. It views communication as an aspect of commerce, not an aspect of culture. </p>

<p>It can't figure out quite its regulatory framework given its supervision over computers and cable, all the things that don't demand the scarce frequencies that were the original justification for the FCC back in the 20s and 30s. We need to re-think the role of the state in creating a system of diverse media and opportunities for diversity of journalism. </p>

<p><i>What would that look like?</i></p>

<p>We need a national commission, and this coincides with -- supports -- a notion of a national endowment for journalism, that ask these larger questions: What system of journalism does a democracy of the kind we have in the United States need? To what extent can the marketplace sustain it, to what extent can it not? And to the extent that we agree that the marketplace cannot sustain the kind of journalism we all agree we need, then we need to ask ourselves what can we do to bring that about. Rather than accepting whatever the marketplace yields. </p>

<p><i>Would this commission be public, or private, or a combination?</i>  </p>

<p>Conspicuously public and democratic. </p>

<p><i>State chartered, or -- ?</i></p>

<p>To be honest, that level of detail I just don't know. A few of us are working on that, but it will probably take us a long time to figure out some of the details, and even if we get to that level of detail, it's going to mean nothing unless people understand and agree with the larger democratic premise that communication is a democratic enterprise. It needs to be operated democratically, it needs to be justified, defended, and supported democratically. It's a democratic institution, journalism is a democratic institution, it shouldn't be subject only to the whims of the private sector.</p>

<p><i>It is a little bit of a literacy and awareness, civics and media literacy and education issue.</i> </p>

<p>I think that's the biggest challenge, particularly among journalists. Journalists are historically, in the United States, libertarian in their view of press freedom. They have a right-wing bias among journalists, they might not like to think of themselves as right-wing, but their understanding of the First Amendment is very right-wing, it is very focused on individual liberty, not on the needs of the community. </p>

<p>And they celebrate the relationship between free press and free enterprise. And I think the education challenge begins with journalists and then spreads into the larger community. But I think you'll find these ideas much more receptive in the larger community than in the journalism community. <br />
</p>]]>
        
    </content>
</entry>

<entry>
    <title>3/17: &quot;A Conversation About the San Francisco Chronicle&quot;</title>
    <link rel="alternate" type="text/html" href="http://artsandmedia.net/2009/03/317_a_conversation_about_the_s.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://artsandmedia.net/mt_tmp/mt-atom.cgi/weblog/blog_id=8/entry_id=5888" title="3/17: &quot;A Conversation About the San Francisco Chronicle&quot;" />
    <id>tag:artsandmedia.net,2009://8.5888</id>
    
    <published>2009-03-15T23:28:26Z</published>
    <updated>2009-03-15T23:30:18Z</updated>
    
    <summary>[Forwarded from the Society of Professional Journalists-Northern California.] SAN FRANCISCO - Fifteen of Northern California&apos;s most distinguished editors, publishers, innovators and academics will meet with the public Tuesday, March 17, for &quot;A Conversation About the Chronicle,&quot; a forum presented as...</summary>
    <author>
        <name>Josh Wilson</name>
        <uri>http://www.artsandmedia.net/</uri>
    </author>
    
        <category term="Democracy" />
    
        <category term="Events &amp; Opportunities" />
    
        <category term="Journalism &amp; Media" />
    
    <content type="html" xml:lang="en-us" xml:base="http://artsandmedia.net/">
        <![CDATA[<p>[<em>Forwarded from the Society of Professional Journalists-Northern California.</em>]</p>

<p>SAN FRANCISCO - Fifteen of Northern California's most distinguished editors, publishers, innovators and academics will meet with the public Tuesday, March 17, for "A Conversation About the Chronicle," a forum presented as a public service by the Northern California Chapter of the Society of Professional Journalists.<br />
 <br />
The SPJ forum will feature a wide-ranging discussion with hundreds of concerned residents to heighten understanding and discussion about the impact of severe cutbacks in editorial staffing and the threatened closure of the San Francisco Chronicle.<br />
 <br />
The discussion also will explore whether other papers or emerging media can adequately fill the rapidly widening gap between shrinking editorial resources and the need to inform the public on important civic matters.<br />
 <br />
The SPJ forum will give citizens a chance to ask questions, offer suggestions and express their feelings about the situation in a unique format designed to reflect the Bay Area's reputation as the world center of innovation. <br />
 <br />
Confirmed participants include: Neil Henry, Dean, UC Berkeley Graduate School of Journalism; Dr. Dina Ibrahim, Director of Broadcast Journalism, San Francisco State University; Kevin Keane, Executive Editor, Bay Area News Group--East Bay; Bruce Brugmann, Publisher, San Francisco Bay Guardian; David Cohn, Founder, Spot.US; Michelle Fitzhugh-Craig, Editor, The Public Press; Louis Freedberg, Director, California Media Collaborative; Carl Hall, Local Rep, California Media Workers Guild; Martin Reynolds, Editor, Oakland Tribune; Dr. David Robinson, Senior Lecturer, Haas School of Business; Owen Rogers, Partner, IDEO; Ricardo Sandoval, Board President, SPJ Northern California Chapter and Assistant City Editor, Sacramento Bee; David Weir, Veteran Journalist, BNET; and Tom Murphy, Social Entrepreneur, RedwoodAge.com and Newswire21.org.<br />
 <br />
City officials are also expected to participate. The co-moderators will be Rose Aguilar and Hana Baba, both from San Francisco public radio station KALW-FM 91.7.<br />
 <br />
The forum will take place from 5:30-7:30 pm in the Koret Auditorium of the San Francisco Public Library at 100 Larkin St.  It will be broadcast live on the Internet over SFGTV's web site (http://www.sfgov.org/sfgtv), allowing community members to submit questions before or during the program (email: SPJChron@gmail.com;  Twitter #SPJChron).  The forum also will be recorded for broadcast on SFGTV and KALW-FM.<br />
 <br />
The Hearst Corp. recently announced it may be forced to close the Chronicle unless it can slash costs by making further cutbacks in staffing. The paper has about 275 editorial employees today, less than half of what it had when Hearst acquired the paper in 2000. Other Northern California papers have also announced widespread cutbacks.<br />
 <br />
SPJ is the nation's most broad-based organization focused on encouraging the free practice of quality journalism with the highest ethical standards. <br />
 <br />
(Note to Broadcasters: A mult box will be available for professional broadcasters on a first-come basis.)<br />
 <br />
Contact: Tom Murphy, SPJ Northern California, 415-924-3364</p>]]>
        
    </content>
</entry>

<entry>
    <title>Be a Journalism Innovations Sponsor!</title>
    <link rel="alternate" type="text/html" href="http://artsandmedia.net/2009/03/journalism_innovations_ii_spon.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://artsandmedia.net/mt_tmp/mt-atom.cgi/weblog/blog_id=8/entry_id=5885" title="Be a Journalism Innovations Sponsor!" />
    <id>tag:artsandmedia.net,2009://8.5885</id>
    
    <published>2009-03-12T09:36:31Z</published>
    <updated>2009-04-21T00:10:29Z</updated>
    
    <summary>The Society of Professional Journalists-Northern California and Independent Arts &amp; Media invite you to sponsor JOURNALISM INNOVATIONS II, and enjoy significant promotional and display benefits. Call 415-677-9877 to get started, and see below for sponsorship levels and in-kind donor information....</summary>
    <author>
        <name>Josh Wilson</name>
        <uri>http://www.artsandmedia.net/</uri>
    </author>
    
        <category term="Events &amp; Opportunities" />
    
        <category term="Journalism &amp; Media" />
    
    <content type="html" xml:lang="en-us" xml:base="http://artsandmedia.net/">
        <![CDATA[<p>The Society of Professional Journalists-Northern California and Independent Arts & Media  invite you to sponsor <i>JOURNALISM INNOVATIONS II</i>, and enjoy significant promotional and display benefits. </p>

<p>Call 415-677-9877 to get started, and <a href="#benefits">see below for sponsorship levels and in-kind donor information</a>. </p>

<p><span class="mt-enclosure mt-enclosure-file" style="display: inline;"><a href="http://artsandmedia.net/archive_files/expo-sponsor-worksheet.pdf"><B>Download the sponsorship worksheet (PDF)</B></a></span></p>

<p><b>What Is It?</b><br />
<a href="/2009/03/journalism_innovations_ii_may.html">The Second Annual Journalism Innovations Expo</a> happens April 30 and May 1 in McLaren Hall at the University of San Francisco. It's a unique colloquium, public dialoge and exposition that will explore real ideas and work that's creating the future of journalism TODAY. </p>

<p><a href="/expo/journalism/index-2008.html" target="_blank">Last year's event</a> brought more than two hundred participants to our venue in Sunnyvale; In 2009, Journalism Innovations comes to USF's green and highly accessible campus for another breakthrough gathering!</p>

<p><b>Who Will Attend?</b><br />
Based on last year's robust turnout, we expect hundreds of journalism advocates, practitioners, academics and researchers, technologists, producers, students and aspirants, managers and executives, plus critics and citizen media-makers of all stripes. </p>

<p>This is an impactful extremely diverse community of current and emerging leaders and practitioners in this fast-changing field. </p>

<p><b>Why Should I Sponsor?</b>  <br />
Journalism Innovations II will provide you with high-visibility placement for your message, service, idea and organization before a diverse, multi-generational audience of new and emerging journalism practitioners and leaders.</p>

<p>Nonprofits, schools, service and advocacy groups, social ventures and garage startups -- all are welcome to sponsor the Expo, and spread the word about their good works to a select community of journalism leaders, educators, advocates and practitioners. Call 415-677-9877 for details.</p>

<p><b><a name="benefits"></a>Sponsor benefits include</b><br />
&bull;Logo placement and link on Web site<br />
&bull;Logo placement, contact info in printed program and press materials<br />
&bull;Advertising options in the May 1 Expo program<br />
&bull;High-visibility Promotions & Display Space at the main event </p>

<p><b>Sponsorship Levels</b>:</p>

<p>&bull; <u>Angel ... $1,000</u>: Includes logo, link and contact info on Web site and event program; name and contact info in press materials; full-page ad in Expo program; double-wide promotional space at the event (including wall and floor space) </p>

<p>&bull; <u>Patron ... $500</u>: Includes logo, links and contact info on Web site and event program; name and contact info in press materials; single promotional space at the main event</p>

<p>&bull; <u>Benefactor ... $250</u>: Includes logo, links and contact info on Web site and in event program; name and contact info in press materials; shared promotional space at the main event</p>

<p>&bull; <u>Supporter ... $100</u>: Includes logo, links and contact info on Web site; and name and contact info in event program and press materials; and logo/banner on event walls</p>

<p>&bull; <u>Media & In-Kind</u>: By cross-promoting our event through your listserv or Web site, you'll get your own logo, links and contact info on the Journalism Innovations Web site and print program, plus name and contact info in press materials</p>

<p><em><u><b>CALL 415-677-9877 TO SET UP A SPONSORSHIP FOR YOUR ORGANIZATION</b></u><br />
</em><br />
</p>]]>
        
    </content>
</entry>

<entry>
    <title>Journalism Innovations II: New Work &amp; Ideas for Making the News</title>
    <link rel="alternate" type="text/html" href="http://artsandmedia.net/2009/03/journalism_innovations_ii_may.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://artsandmedia.net/mt_tmp/mt-atom.cgi/weblog/blog_id=8/entry_id=5884" title="Journalism Innovations II: New Work &amp; Ideas for Making the News" />
    <id>tag:artsandmedia.net,2009://8.5884</id>
    
    <published>2009-03-12T08:10:08Z</published>
    <updated>2009-05-01T00:51:21Z</updated>
    
    <summary><![CDATA[Co-produced by: &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Updated Apr. 30: Panels | Speaker Bios | Exhibitors | Register May 1, 9 a.m.-5 p.m. * April 30 (evening reception &amp; panels) McLaren Hall, University of San Francisco * Directions Sliding-Scale...]]></summary>
    <author>
        <name>Josh Wilson</name>
        <uri>http://www.artsandmedia.net/</uri>
    </author>
    
        <category term="Democracy" />
    
        <category term="Events &amp; Opportunities" />
    
        <category term="Journalism &amp; Media" />
    
    <content type="html" xml:lang="en-us" xml:base="http://artsandmedia.net/">
        <![CDATA[<p><font size="-1"><em>Co-produced by:</em></font><br /><a href="http://www.usfca.edu/artsci/ug/media_studies/" target="_BLANK"><img src="http://artsandmedia.net/archive_files/USFmasthead.gif"></a> &nbsp; &nbsp; &nbsp; <a href="http://www.spjchapters.org/norcal/" target="_BLANK"><img src="http://artsandmedia.net/expo/journalism/spj-56x50-logo.jpg"></a> &nbsp; &nbsp; &nbsp; <a href="http://artsandmedia.net/"><img src="http://artsandmedia.net/expo/journalism/IAM-122x50-Logo.jpg"></a></p>

<p><font size="-1"><em>Updated Apr. 30:</em> </font> <a href="#panels">Panels</a> | <a href="#participants">Speaker Bios</a> | <a href="#exhibitors">Exhibitors</a> | <a href="http://journ-innovations.eventbrite.com/" target="_BLANK">Register</a><br />
<font size="-1">May 1, 9 a.m.-5 p.m. * April 30 (<a href="/archive_files/Davies-Forum-April-30.pdf">evening reception &amp; panels</a>)<br />
McLaren Hall, University of San Francisco * <a href="#directions">Directions</a><br />
Sliding-Scale Donation * No One Turned Away. * Contact: (415) 738-4975, or via <a href="mailto:&#106;&#111;&#117;&#114;&#110;&#105;&#110;&#110;&#111;&#118;&#97;&#116;&#105;&#111;&#110;&#115;&#64;&#97;&#114;&#116;&#115;&#97;&#110;&#100;&#109;&#101;&#100;&#105;&#97;&#46;&#110;&#101;&#116;">e-mail</a></p>

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="newspaper-edit-small.jpg" src="http://artsandmedia.net/archive_files/newspaper-edit-small.jpg" width="183" height="86" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></span><b>Just added!</b> Final <a href="#panels">event schedule &amp; locations</a>; <a href="#rights">Communication-rights training</a>, <a href="#student">student journalism leadership</a>, updated <a href="#exhibitors">exhibitor listing</a>.</font> </p>

<p><font size="+1"><b>Join the conversation</b> about journalism and democracy</font> with Susan Mernit of the Public Media Collaborative, Gilbert Bail&oacute;n of the American Society of Newspaper Editors, New America Media's Sandy Close, Kachingle.com founder Cynthia Typaldos, David Cohn of Spot.Us, KCBS News Radio program director Ed Cavagnaro, Eve Batey of SFAppeal.com, plus speakers from the California Endowment, the Public Media Collaborative, and many other innovators, entrepreneurs, community leaders and active organizations. </p>

<p><b>Thanks to the Journalism Innovations II Sponsors!</b></p>

<p><img src="http://artsandmedia.net/archive_files/gww-logo-2.gif"> &nbsp; &nbsp; &nbsp; <a href="http://sej.org/" target="_blank"><img src="http://artsandmedia.net/archive_files/SEJ-logo-2009.gif"></a> &nbsp; &nbsp; &nbsp; <a href="http://journalism.berkeley.edu/" target="_blank"><img src="http://artsandmedia.net/archive_files/UCB-Logo-small.gif"></a> &nbsp; &nbsp; &nbsp; <a href="http://www.sfbg.com/" target="_blank"><img src="http://artsandmedia.net/archive_files/sfbg-small.gif"></a> &nbsp; &nbsp; &nbsp; <a href="http://www.coworkingcoach.com/" target="_blank"><img src="http://artsandmedia.net/archive_files/rainescardscoworkcoach-small.gif"></a> &nbsp; &nbsp; &nbsp; <a href="http://www.sandboxsuites.com/" target="_blank"><img src="http://artsandmedia.net/archive_files/Sandbox-Logo-small.gif"></a> &nbsp; &nbsp; &nbsp; <a href="http://www.motherjones.com/" target="_blank"><img src="http://artsandmedia.net/archive_files/mjlogo-original-small.gif"></a></p>

<p>&bull; <a href="http://journ-innovations.eventbrite.com/" target="_BLANK"><b>Ensure your entry</b></a> by registering in advance. All are welcome, but we cannot guarantee walk-up admissions.</p>

<p>&bull; <a href="mailto:&#106;&#111;&#117;&#114;&#110;&#105;&#110;&#110;&#111;&#118;&#97;&#116;&#105;&#111;&#110;&#115;&#64;&#97;&#114;&#116;&#115;&#97;&#110;&#100;&#109;&#101;&#100;&#105;&#97;&#46;&#110;&#101;&#116;?subject=Innovations Exhibitor Request"><b>Request a free exhibitor table</b></a> for nonprofits and collectives only</a> (limited availability) </p>

<p>&bull; <b><a href="http://digital-divide-training.eventbrite.com/" target="_blank">Pre-register for the DIGITAL DIVIDE & COMMUNICATIONS RIGHTS WORKSHOP</a></b> for insight and discussion of building civic empowerment through connecting marginalized communities with emerging and established media.</i></p>

<p>&bull; <b><a href="http://socialmedia-journalism.eventbrite.com/" target="_blank">Pre-register for the SOCIAL MEDIA TRAINING LAB</a></b>, presented by the Public Media Collaborative: English & Spanish tracks for skills and strategies for Twitter, Facebook and more.</i></p>

<p>&bull; <b><a href="http://careers-journ.eventbrite.com/" target="_blank">Pre-register for SPEED CAREER COACHING</a></b>: ALL 50 COACHING SLOTS ARE BOOKED. Limited waitlist available for walkup attendees. </p>

<p>&bull; <a href="/2009/03/journalism_innovations_ii_spon.html"><b>Sponsor</b></a> Journalism Innovations II</p>

<p><b><a name="panels"></a>PANELISTS & SCHEDULE</b> </p>

<p><u>Event Buildings</u>: McClaren Hall; UC (University Center); Cowell (CO)</p>

<p>8:00-9am MCLAREN HALL LOBBY/LOUNGE<br />
<b>exhibitor load-in + bagel breakfast</b> </p>

<p>9:00-9:15am: MCLAREN 252<br />
<b>Opening Remarks </b><br />
&bull; Father Steven Privett, President, University of San Francisco<br />
&bull; Ricardo Sandoval, President, Society of Professional Journalists-Northern California<br />
&bull; Clare Morales Roberts, Executive Director, Independent Arts & Media</p>

<p>9:15-10:30am: MCLAREN 252<br />
<b>MORNING KEYNOTE: "What About the Newsprint? New Futures for the San Francisco Chronicle, and Other Stories"</b><br />
<i>Must the San Francisco Chronicle disappear into a vortex of Wall Street crisis, like the Seattle Post-Intelligencer and the Rocky Mountain News? Or are there other, happier futures for the Bay Area's leading newsprint daily -- and for newspapers around the nation? Leaders in finance, philanthropy, and commercial and nonprofit media address the question.</i> </p>

<p>&bull; David Westphal, former Washington Bureau Chief, McLatchy Newspapers; Executive in Residence, USC Annenberg School of Communications<br />
&bull; Barry Parr, MediaSavvy.com; co-founder, MercuryCenter.com; media analyst (Jupiter Research, Forrester) <br />
&bull; Jon Funabiki, former media-program officer, Ford Foundation<br />
&bull; Holly Kernan, KALW-FM<br />
&bull; Robert Rosenthal, Center for Investigative Reporting<br />
&bull; Moderator: Ricardo Sandoval, Sacramento Bee/SPJ-NorCal <br />
&bull; <strike>Warren Hellman, Hellman & Friedman</strike> Canceled due to schedule conflicts<br />
&bull; <strike>Carl Hall, Media Worker's Guild</strike> Canceled due to schedule conflicts</p>

<p>10:45am-12:00pm: MCLAREN 252<br />
<b>"New Business Models: Crowdfunding, Advertising, Fiscal Sponsorship & L3C"</b> <br />
<i>Online media provides a variety of tools and methods for funding journalism entrepreneurially. And it even includes advertising! This panel explores current, active methods in online advertising, microphilanthropy and "crowdfunding," and nonprofit fiscal sponsorship, all of which are opening doors for independent journalists to take control of their revenue streams and advance their new roles as online publishers. We'll also look at the emerging L3C model for "limited profitability" corporations.</i> <br />
&bull; Bill Densmore, Reynolds Fellow, University of Missouri<br />
&bull; David Cohn, Spot.Us<br />
&bull; Hal Plotkin, ReelChanges.org<br />
&bull; Yesenia Sanchez, Fiscal Sponsorship Consultant<br />
&bull; Cynthia Typaldos, Kachingle.com<br />
&bull; Moderator: Tom Murphy, RedwoodAge.com</p>

<p>10:45am-12:00pm: UC 421<br />
<b>Journalism Education & Campus Newsrooms</b><br />
<i>How do journalism educators prepare students for future careers in an industry undergoing cataclysmic transformation? How are campus newsrooms evolving with this changing reality, to provide relevant training and resources for young reporters with an uncertain future, but ambition to fill the vital needs that journalists provide to a democracy? </i><br />
&bull; Chris O'Brien, The Next Newsroom <br />
&bull; Richard Kochi Hernandez, Visiting Fellow, Berkeley Graduate School of Journalism <br />
&bull; Rick Rodriguez, Southwest Borderlands Journalism Institute at Arizona State University <br />
&bull; Cristina Azocar, Director, Center for the Integration & Improvement of Journalism<br />
&bull; Geneva Overholser, Director, Journalism Program, Annenberg School of Communications <br />
&bull; Moderator: Teresa Moore, journalism professor, University of San Francisco </p>

<p>10:45am-12:00pm: UC 419<br />
<b>New Labor Reporting</b> <br />
<i>Once upon a time, labor was a beat covered in daily newspapers. There are still plenty of labor issues out there, but what happened to the coverage? This panel brings together independent labor reporters, advocates and documentarians to answer the question and imagine the future.</i> <br />
&bull; Steve Zeltzer, Laborfest, Labor Video<br />
&bull; Steve Stallone, President, International Labor Communications Association<br />
&bull; Dick Meister, Independent journalist, former labor reporter, San Francisco Chronicle<br />
&bull; Colette Washington, Online Communications Specialist, California Nurses Association<br />
&bull; Moderator: Susan Ferriss, senior writer, Sacramento Bee; co-author, "The Fight in the Fields: Cesar Chavez and the Farmworkers Movement,"</p>

<p>10:45-12:00pm: CO 323 + CO 326<br />
<b>Social Media Training, English & Spanish Tracks</b><br />
<i>Presented by the Public Media Collaborative. <a href="http://socialmedia-journalism.eventbrite.com/" target="_blank">Preregister through Thursday, April 30</a>; walk-up attendees welcome thereafter. </i></p>

<p><b>NOON: LUNCH, UC CAFETERIA</b> </p>

<p>12:30-12:55pm: MCLAREN 252<br />
<B>"Digital Journalism Review: Students Upend Expectations</B><br />
<I>Students from Santa Clara University's Digital Journalism Review blog provide insight into digital media and young people, and wind up challenging the status quo and expectations of the established mainstream press.</I></p>

<p>1:00-2:15 pm: MCLAREN 252<br />
<b>AFTERNOON KEYNOTE: "What We Were & What We Must Become" </b> <br />
<i>Newspaper veterans, media futurists and nonprofit innovators look back at the business that once was, and the many changes, challenges and opportunities that lie ahead.</i> <br />
&bull; Gilbert Bail&oacute;n, American Society of Newspaper Editors, Al Dia, St. Louis Post-Dispatch<br />
&bull; Sandy Close, New America Media<br />
&bull; Chris Peck, Memphis Commercial Appeal, ASNE<br />
&bull; Lam Oi Wan, globalvoicesonline.org, Hong Kong In-Media <br />
&bull; Jessica Clark, Center for Social Media, American University<br />
&bull; Moderator: Bill Densmore, Reynolds Journalism Fellow </p>

<p>1:00-5:15pm: CO 326<br />
<b>Social Media Training, SPANISH Track</b><br />
<i>Presented by Nuestra Voz and the Public Media Collaborative. <a href="http://socialmedia-journalism.eventbrite.com/" target="_blank">Preregister through Thursday, April 30</a>; walk-up attendees welcome thereafter. </i></p>

<p>2:30-5:15pm: CO 323 <br />
<b>Social Media Training, ENGLISH Track</b><br />
<i>Presented by the Public Media Collaborative. <a href="http://socialmedia-journalism.eventbrite.com/" target="_blank">Preregister through Thursday, April 30</a>; walk-up attendees welcome thereafter. </i></p>

<p>1:00-5:15pm: CO 322<br />
<b>Speed Career Coaching</b><br />
15 Minutes With A Professional Career Coach. Space is limited! Only fifty slots are available! <a href="http://careers-journ.eventbrite.com/" target="_blank">Preregister now to ensure a slot</a>; depending on cancelations, some walkup attendees welcome. </p>

<p>2:30-3:45pm: MCLAREN 252<br />
<b>New Media Ventures in Health Journalism: Is Philanthropy Funded Journalism the Next Rescue Plan?</b><br />
<i>Health care foundations in California are starting to bring resources to the task of health-focused reporting at a time of retreat by commercial media. Kaiser has launched Kaiser Health News, that works in collaboration with existing news outlets; the California Endowment funds fellowships that provide training and education for journalists and has launched a new website for reporters, and the California Health Care Foundation has just launched the Center for Health Care Journalism. How can reporters plug into these emerging resources? </i><br />
&bull; Matt James, Senior Vice President Media and Publication, Kaiser Family Foundation <br />
&bull; Michelle Levander, Director, California Endowment Health Journalism Fellowships at USC Annenberg School of Journalism, Editor, ReportingonHealth.org<br />
&bull; Spencer Sherman, Director of Publishing and Communications, California Health Care Foundation.<br />
&bull; Moderator: Laurie Udesky</p>

<p>2:30-3:45pm: UC 421<br />
<b>"Neighborhoods & Communities: Connecting the Dots"</b> <br />
<i>As emerging news media becomes ever-more personalized and entrepreneurial, the absence of effective, meaningful local and neighborhood journalism in the traditional press grows more apparent. But even as online innovators aggressively move to fill the gap, established news media organizations are taking new steps to fulfill information needs in neighborhoods and communities.</i> <br />
&bull; Amra Tareen, co-founder, Allvoices.com<br />
&bull; Tom Negrete, Managing Editor, Sacramento Bee<br />
&bull; Eve Batey, SFAppeal.com<br />
&bull; Becky O'Mally, Berkeley Daily Planet <br />
&bull; Barry Parr, Coastsider.com <br />
&bull; Moderator: Susan Mernit, Public Media Collaborative, former program manager, Knight Foundation 21st Century News Challenge</p>

<p>2:30-3:45pm: UC 419<br />
<b>Broadcast: The Elephant in the Room</b><br />
<i>Newspapers may be in full retreat, the Web may be home to a thriving online media sector -- but most Americans still go to television and radio for their daily news needs. These two mediums that have had their own struggles and shakedowns. What's the lay of the land in 2009 for the original wireless media?</i> <br />
&bull; Ed Cavagnaro, Director of News & Programming, KCBS News Radio<br />
&bull; Randall Yip, Senior Producer, ABC7/KGO TV<br />
&bull; Ben Temchine, Your Call Radio/KALW-FM<br />
&bull; Bruce Koon, News Director, KQED-FM<br />
&bull; Laura McClure, Multimedia Editor, Mother Jones<br />
&bull; Moderator: Dina Ibrahim, professor of journalism, San Francisco State University</p>

<p>2:30-3:45pm: CO 322<br />
<b><a name="rights"></a>The Digital Divide & Communication Rights: Training & Organizing Strategies</b><br />
<i>Learn strategies for media literacy, technology and communications-training for communities that lack access to established or emerging media. The panel will also discuss collaborations between technology innovators, community organizers, media educators and do-it-yourself media producers; and explore the tensions and opportunities between media insiders, marginalized groups, and projects focused on low-income/disenfranchised communities.</i> <br />
&bull; <a href="http://digital-divide-training.eventbrite.com/" target="_blank">Pre-register for this event!</a><br />
&bull; Eloise S. Lee, Program Director, Media Alliance<br />
&bull; Kami Griffiths, Executive Director, Community Technology Network<br />
&bull; Renee Yang-Geesler, Co-Director of the First Voice Media Action Program<br />
&bull; Luz Ru&iacute;z, co-founder of COMPPA, Coalition of Popular Communicators for Autonomy<br />
&bull; Moderator: Dorothy Kidd, Associate Professor, University of San Francisco</p>

<p>4-5:15pm: UC 421<br />
<b>Ethnic News Media: New Voices & an Emerging Mainstream</b><br />
<i>As a nation of immigrants, the United States is home to a thriving ethnic press sector. But more than simply fulfilling the needs of communities overlooked by mainstream media, the ethnic press is also a player in public discourse, full of voices that demand and need inclusion. What are the innovations and opportunities here? A unique panel of nonproft and commercial news publishers and advocates take on the question.</i> <br />
&bull; Eleanor Boswell-Raine, The Oakland Globe<br />
&bull; Gilbert Bailón, American Society of Newspaper Editors, Al Dia, St. Louis Post-Dispatch<br />
&bull; Juan Gonzalez, Founder, El Tecolote; Chair, City College of San Francisco Dep't of Journalism<br />
&bull; Linda Jue, Director, G.W. Williams Center for Independent Media<br />
&bull; Moderator: Dawn Garcia, Deputy Director of the John S. Knight Fellowships for Professional Journalists at Stanford University</p>

<p>4-5:15pm: MCLAREN 252<br />
<b>"Journalism Careers: Making Your Own Future"</b><br />
<i>Career management experts and news people with experience on both sides of the hiring line share survival and success strategies for navigating an industry that's been swept by a sea change.</i><br />
&bull; Tom Ballantyne, Career Management, Coaching and Recruitment Consultant<br />
&bull; <strike>Adrianne Cabanatuan, HR Manager, Northern California Public Broadcasting</strike> Canceled due to schedule conflict<br />
&bull; Bob Butler, Reporter for the Chauncey Bailey Project and KCBS Radio<br />
&bull; L.A. Chung, Writer, Editor, Media Consultant <br />
&bull; Moderator: Leslie Guevarra</p>

<p>4-5:15pm: UC 419<br />
<b><a name="student"></a>Student Media: Leadership & Opportunity</b><br />
<i>The Foghorn and USFtv are two student-run media outlets and both have recently migrated to the web. Staff from the 106 year-old Foghorn and the 3 year-old USFtv will discuss why this web presence is important in creating community at USF, and what changes have been made to their respective outlets.</i><br />
&bull; <u>The Foghorn</u>: Laura Plantholt, Nicholas Mukhar, Stephanie Luu, Michael Villasenor <br />
&bull; <u>USFtv</u>: Kate Elston, Alex Platt, Ashton Bothman, Meghan Raab, Chris Begley</p>

<p><b><a name="participants"></a>Panelists</b> (Updated April 18)</p>

<ul>
	<li> <b><i>Gilbert Bail&oacute;n</i></b>, Editorial Page Editor for the <a href="http://www.stltoday.com/" target="_blank">St. Louis Post-Dispatch</a>, started his journalism career as a reporter at The Dallas Morning News in 1986, eventually becoming the newspaper's executive editor. In 2004 he became publisher and editor of Al D&iacute'a, a Spanish-language daily serving North Texas. He is the 2007-2008 president of American Society of Newspaper Editors, and past-president of the National Association of Hispanic Journalists.</li><BR />	
	<li> <b><i><a href="http://www.linkedin.com/in/tomballantyne" target="_BLANK">Tom Ballantyne</a></i></b> is a career and transition coach with more than 25 years of experience in helping people find their right livelihoods.  His current coaching practice centers on successful transitions for job seekers and career changers in many fields, including media -- writers, editors, producers, reporters. Tom is also a senior consultant for Torchiana, Mastrov & Sapiro, the largest independent career management solutions firm in Northern California.  Before joining TMS, he was director of the Graduate Business Career Center at San Francisco State University.  Previously, Tom was an executive search consultant and owner of Ballantyne & Associates, a retained search firm based in San Francisco. He earned his bachelor's degree in journalism from San Francisco State University.</li> <BR />	
	<li> <b><i>Eve Batey</i></b>, founder of <a href="http://www.sfappeal.com/" target="_blank">SFAppeal.com</a>, is formerly the San Francisco Chronicle's Deputy Managing Editor for Online, and was a co-founding writer and the lead editor of SFist.com. </li><BR />	
	<li> <b><i>David Cohn</i></b>, the founder of the journalism-crowdfunding service <a href="http://spot.us/" target="_BLANK">Spot.Us</a>, is also a contributing editor at NewsTrust.org, an editor at NewAssignment.Net and a freelance writer for Wired News. He won the Knight Foundation's 21st Century News Challenge to start Spot.Us.</li><BR />	
	<li><b><i>Franc Contreras</i></b>, Al Jazeera TV. For more than 12 years,Franc Contreras has been covering Mexico for major international news media organizations, including NPR, Marketplace and the BBC. He's traveled to every state in Mexico, covering virtually every major political and economic story that has taken place -- including presidential elections, guerilla uprisings, indigenous rights and immigration. He's also reported from most of Central America, Argentina, Colombia, Haiti and Venezula.</li><BR />	
	<li> <b><i>Bill Densmore</i></b>, a <a href="http://rji.missouri.edu/fellows-program/densmore-b/index.php" target="_BLANK">University of Missouri Reynolds Fellow for the Information Valet Project</a>, is a veteran journalist with The Associated Press, and the director of The Media Giraffe Project, a grant-funded effort of the journalism program at the University of Massachusetts "to find and spotlight people making innovative use of media to foster participatory democracy and community." He is also a collaborator on the Journalism That Matters convenings.</li><BR />	
	<li> <b><i>Susan Ferriss</i></B>, senior writer, Sacramento Bee. For more than two decades Susan has covered immigration and economic development as a reporter for the Monterey Herald, the San Francisco Examiner, Cox Newspapers and the Sacramento Bee. From 1997 to 2005 she was Latin America correspondent for the Atlanta Journal and the Austin American-Statesman, where her work was honored with awards from the Overseas Press Club and the Inter-American Press Association. She was a Knight Journalism Fellow at Stanford in 2004. She's also co-author of "The Fight in the Fields: Cesar Chavez and the Farmworkers Movement," Harcourt, 1997.  Her documentary, "The Golden Cage: A story of California's Farmworkers," won awards at several film festivals, including a Golden Apple at the National Educational Film Festival.</li><BR />
	<li> <b><i><a href="http://www.ctnbayarea.org/board" target="_blank">Kami Griffiths</a></i></b> is a devoted community technology activist with a decade of professional experience working on behalf of under served communities. Through teaching computer skills, connecting volunteers to individuals in need of technology skills and equipment, and facilitating adult literacy classes, Kami has emerged in recent years as a national leader in the battle to combat the digital divide and expand technology access for all Americans. She is the Executive Director of the Community Technology Network, an SF-based nonprofit that providies training, mentorship, networking and volunteers to underserved communities.</li><BR />	
	<li> <b><i>Leslie Guevarra</i></b> is an <a href="http://www.greenerbuildings.com/users/Leslie-Guevarra" target="_blank">associate editor</a> at <a href="http://www.greenbiz.com/" target="_blank">GreenBiz.com</a> and its sister sites at <a href="http://www.greenerworldmedia.com/" target="_blank">Greener World Media Inc</a>. She has been a news reporter, editor and senior newsroom manager as well as  the host and associate producer of a public affairs program on television. Her leadership roles have included tenure as a deputy managing editor, director of newsroom hiring and staff development and interim head of human resources for a newsroom of more than 500 people. A founding member of the Asian American Journalists Association's San Francisco Chapter, Leslie has worked at the San Francisco Chronicle, KTSF-TV, the Examiner and three other Bay Area newspapers.</li><BR />	
	<li> <b><i>Warren Hellman</i></b> co-founded <a href="http://www.hf.com/" target="_blank">Hellman & Friedman LLC</a> in 1984, is the Firm's Chairman, and a member of the Firm's Investment and Compensation Committees. He was formerly a Director of numerous portfolio companies, including Eller Media Company, Inc., Nasdaq Stock Market LLC, and Young & Rubicam Inc. Mr. Hellman is a member of the University of California Walter A. Haas School of Business Advisory Board and, in 2005, was inducted into the American Academy of Arts and Sciences.</li> <BR />
	<li> <b><i><a href="http://www.kff.org/about/keystaff.cfm" target="_BLANK">Matt James</a></i></b>, Senior Vice President of Media and Public Education at Kaiser Family Foundation, is responsible for approximately half of the Foundation's operating programs and six of its operating divisions, including its health news and information service, kaisernetwork.org, its public opinion research program, media fellowship programs, and media partnerships with news and entertainment media organizations in the U.S. and around the globe.  Mr. James also leads the development of the Foundation's newest journalism initiative, Kaiser Health News, that launched in 2009.  </li><BR />	
    <li> <b><i>Richard Koci Hernandez</i></b> is a national Emmy Award-winning and Pulitzer Prize-nominated video and multimedia producer. He has worked as a photographer at the San Jose Mercury News for 15 years, and also has contributed to Time, Newsweek, The New York Times and international magazines. Richard was named deputy director of photography and multimedia after spearheading the creation of MercuryNewsPhoto.com. Koci Hernandez is currently a visiting Fellow at the UC Berkeley Graduate School of Journalism  supported by a Ford Foundation grant to produce digital news sites for San Francisco Bay Area communities.</li><BR />	
	<li> <b><i>Holly Kernan</i></b>, News Director, KALW 91.7 FM Public Radio/CrossCurrents Radio</li><BR />	
	<li> <a href="http://digitaljournalismreview.blogspot.com/" target="_blank"><i>The Digital Journalism Review students of Santa Clara University</i></a></li><BR />	
	<li> <b><i><a href="http://www.usfca.edu/artsci/fac_staff/K/kidd_dorothy.html" target="_blank">Dorothy Kidd</a></i></b> teaches Media Studies at the University of San Francisco, where her research focuses on grassroots efforts to democratize the media in the US and internationally. She is also a veteran community media trainer and producer, including work at Vancouver Cooperative Radio, Okalakatiget Communications, the Inuit Broadcasting Corporation and Wawatay Native Communications. Her own video productions include "La Piel de La Memoria/Skin of Memory," the documentation of a community arts project in Medellin, Colombia; "Counting our Victories," which documents a popular education training cycle in Vancouver, Canada, and "Ikajurti: Midwifery in the Canadian Arctic," made with the Inuit Broadcasting Corporation and the Inuit Pauktuutit (Women's) Organization in Canada.</li><BR />	
	<li> <b><i>Sally Lehrman</i></b> is Santa Clara University's Knight Ridder-San Jose Mercury News Endowed Chair in Journalism and the Public Interest. Also an independent journalist, Lehrman specializes in covering identity, race relations and gender within the context of medicine and science. Her byline credits include Scientific American, Health, Salon.com, Nature, The Boston Globe and The DNA Files, a series of public radio documentaries on genetics distributed by National Public Radio. Lehrman is author of News in a New America, a fresh take on diversity in coverage and staffing, and served for a decade as national diversity chair for the Society of Professional Journalists. She is a USC Annenberg Institute for Justice and Journalism Senior Fellow on race and contributes to the Poynter Institute's Diversity at Work blog. Before striking out on her own, Lehrman was a staff writer and editor for the Hearst-owned San Francisco Examiner. Her honors have included the 1995-96 John S. Knight Fellowship; a 2002 Peabody award, Peabody/Robert Wood Johnson Award for excellence in health and medical programming, and Columbia/Du Pont Silver Baton (shared for the DNA Files). </li><BR />	
	<li> <b><i>Michelle Levander</i></b> is the founding director of The <a href="http://annenberg.usc.edu/CentersandPrograms/ProfessionalEducation/CalendowFellowships.aspx" target="_blank">California Endowment Health Journalism Fellowships</a> at the Annenberg School for Communication and editor of <a href="http://ReportingonHealth.org" target="_blank">ReportingonHealth.org</a>, the first Web 2.0 community for health journalists. The Health Journalism Fellowships has trained more than 350 professional print, broadcast and digital journalists with one third of participants coming from the nation's vibrant ethnic media. Ms. Levander has also worked in Asia, Latin America and the U.S. for Time Magazine Asia, The Asian Wall Street Journal and The San Jose Mercury News. She was the founding editor of The Technology Journal at The Asian Wall Street Journal and Technology Editor at Time Asia. She has received journalism awards from the Overseas Press Club of America (Best Reporting in Latin America), the Inter American Press Association, and the Society of Professional Journalists.</li><BR />	
	<li> <i><b>Eloise S. Lee</b></i> is the Program Director at <a href="http://media-alliance.org/" target="_blank">Media Alliance</a>, a 33-year-old Oakland, CA, media resource and advocacy center for media workers, non-profit organizations, and social justice activists. Eloise coordinates the Raising Our Voices (ROV) Media Training Program - a project that supports the development of a more democratic public sphere through the creation and circulation of media content from working class communities and immigrant women of color in the Bay Area. Eloise is also a steering committee member of the Bay Area Community Technology Network (CTN). Originally from Hawaii, Eloise holds a BFA in Film and Television Production from the Tisch School of the Arts at New York University and an MA in Asian American Studies from San Francisco State University.</li><BR />	
	<li> <b><i>Laura McClure</i></b> is an award winning magazine journalist, a former Salon.com editor in News/Politics, and the current Multimedia Editor of Mother Jones. In the past year she's launched both MoJo Video and MoJo Podcasts, (now in the top 100 political podcasts in iTunes), helped navigate a major website relaunch, and blended broadcast tech tips from a Knight Digital Media Center fellowship with good old-fashioned investigative reporting and editing. She is adept at helping journalists bridge the gap between 'legacy' media and its new media upstart cousin.</li><BR />
	<li> <b><i>Susan Mernit</i></b>, a former VP at Netscape and AOL, is a co-founder of Pink Garage, a new online community and resource for women entrepreneurs. She also ran the 2008-09 Knight News Challenge, awarding $5MM to support innovative local projects that expand online news and community discourse. She is a BlogHer contributor, and is currently involved in the Public Media Collaborative, a new group organizing to train and mentor  nonprofits and local commmunity groups in using social media tools to deepen member engagement, reach new audiences, market campaigns, and use micro-donation.</li><BR />	
	<li> <b><i>Tom Murphy</i></b> is a social entrepreneur who is founder of <a href="http://RedwoodAge.com" target="_BLANK">RedwoodAge.com</a>, the first major news site for readers over 40, and Newswire21.org, a news service deisgned for new media. In the past, he was the founding Managing Editor of MarketWatch.com, Editor in Chief of RedHerring.com and AP news supervisor in San Francisco. </li><BR />		
	<li> <b><i>Chris O'Brien</i></b> is a columnist at the San Jose Mercury News where he writes about business and technology issues in Silicon Valley. He has been a reporter at the Mercury News since 1999, covering everything from the dot-com boom to the California energy crisis to the region's high-tech economy. O'Brien was also a recipient of a Knight Foundation News Challenge Award for <a href="http://www.nextnewsroom.com" target="_BLANK">The Next Newsroom Project</a>. The project's goal was to research and design the ideal newsroom of the future.</li><BR />	
	<li> <b><i>Geneva Overholser</i></b> is the director of the School of Journalism at the University of Southern California's Annenberg School of Communications. She previously held the Curtis B. Hurley Chair in Public Affairs Reporting for the Missouri School of Journalism, in its Washington, D.C., bureau. She is a frequent print, broadcast and online media critic, and the author of "On Behalf of Journalism: A Manifesto for Change."</li><BR />	
	<li> <b><i>Barry Parr</i></b> is the publisher and founder of <a href="http://Coastsider.com" target="_blank">Coastsider.com</a>, a community news site for coastal San Mateo County, and <a href="http://mediasavvy.com/" target="_blank">MediaSavvy.com</a>, a blog about networked media. He's a co-creator of the first full Web newspaper at the San Jose Mercury News and CNET's News.com.</li><BR />	
	<li> <b><i>Chris Peck</i></b> is the editor of the <a href="http://commercialappeal.com" target="_blank">The Memphis Commercial Appeal</a>, overseeing all news operations for print and online. A past president of the Associated Press Managing Editors and current board member for the American Society of Newspaper Editors, he has spent a career working on national newspaper issues. He is also the co-founder of Journalism That Matters, a coalition of legacy media leaders and New Media entrepreneurs who are focused on keeping journalism vibrant and alive in a digital age. He grew up in a newspaper family in Wyoming where he and his brother still own The Riverton Ranger, a newspaper started by his father. He is married to Kate Duignan, who he met at Stanford University. </li><BR />	
	<li> <b><i>Hal Plotkin</i></b>, founder of <a href="http://reelchanges.org" target="_blank">ReelChanges.org</a> and the <a href="http://www.centerformediachange.com/" target="_blank">Center for Media Change</a>, is a founding editor of Marketplace, a former senior fellow for the World Economic Development Congress, and a member of the Board of Trustees of Foothill and De Anza Community College. His writing has been published by Inc. International, International Business magazine, Forbes ASAP, Barron's Online, California Business magazine, Family Business magazine, The Harvard Management Update, Securities Industry Daily and many others.</li><BR />
	<li> <b><i>Rick Rodriguez</i></b>, Director, Southwest Borderlands Journalism Institute at Arizona State University; former Executive Editor, Sacramento Bee; former president, American Society of Newspaper Editors.</li><BR />
	<li> <i><b>Steve Rhodes</b></i>,Steve Rhodes is a journalist and photographer covering media, culture & politics. He has been a member of the Paper Tiger TV video collective, did research for documentaries on Frontline at the Center for Investigative Reporting, was online editor at the Bay Guardian, & covered the DNC in Denver with http://uptake.org. His work has appeared in Wired, Rolling Stone, San Francisco Magazine, Extra!, MediaFile, alt weeklies, many websites including NPR's Planet Money & TheAtlantic.com, the Bob Dylan Encyclopedia, & Rick Smolan's The Obama Time Capsule photo book. His photos are at http://flickr.com/ari & you can follow him at http://twitter.com/tigerbeat </li><BR />	
	<li> <b><i><a href="http://www.suesupriano.com/article.php?id=105" target="_blank">Luz Ru&iacute;z</a></i></b> is co-founder of COMPPA, Coalition of Popular Communicators for Autonomy, where she works as a media and popular communications trainer in the Mesoamerican region. A founding member and member of the general assembly of the Chiapas Independent Media Center, she has been involved in independent media and indigenous radio since 2001. She is also a freelance radio journalist covering Mexican, Central and and SouthAmerican grassroots, peasant, and popular movements, and has worked as correspondent for Free Speech Radio News, as well as Interworld Radio News and The National Radio Project. Originally from Mexico, she holds a BA in Communication from Iberoamericana University, and an MA in Women's Studies from San Francisco State University. </li><BR />	
	<li> <b><i>Yesenia Sanchez</i></b> is a management consultant and coach for artists, activists and nonprofits, and also works nationally with the National Network of Fiscal Sponsors to network, educate and advocate for fiscal sponsorship as an alternative and innovative nonprofit business model. Previously, she ran one of the largest arts fiscal sponsorship programs in the country at Intersection for the Arts in San Francisco, and currently serves as an advisor to Independent Arts & Media's fiscal sponsorship program. She has spoken and led classes on fiscal sponsorship and development for The Foundation Center, California College for the Arts, San Francisco Arts Commission, San Francisco Foundation and Grants for the Arts.</li><br />
	<li> <b><i>Spencer A. Sherman</i></b> was named the director of publishing and communications at <a href="http://www.chcf.org/" target="_BLANK">California Health Care Foundation</a> in November 2007 after having served as executive editor for print and online publishing activities since 2002. Sherman leads CHCF's overall communications strategy including publishing, public and media relations, and development of online publishing and communications efforts. Prior to joining CHCF, Sherman was a legal editor and managing editor of Internet products for Nolo Press, a publisher of self-help legal books and software. He was the editor of Nolo's Guide to Social Security Disability: Getting and Keeping Your Benefits; Beat the Nursing Home Trap; Child Custody: Building Parenting Agreements That Work; and Social Security, Medicare and Pensions, among others. As a filmmaker and journalist, he covered the U.S. Supreme Court, served as a foreign correspondent in Asia, and was a television executive in Japan. Sherman earned his bachelor's degree in American studies and political science from the University of California, Santa Cruz.</li><br />
	<li> <b><i>Erik Sundelof</i></b>, Co-Founder, Vice President of Social Media, <a href="http://www.allvoices.com/" target="_blank">AllVoices</a></li> <br />
	<li> <b><i>Cynthia Typaldos</i></b> is the <a href="http://www.kachingle.com/" target="_blank">founder and CEO of Kachingle.com</a>, a crowdfunding financial tool for content websites with a planned launch in summer 2009. She was previously co-founder and COO of GolfWeb (acquired by CBS Sportsline in 1999), and founder and CEO of RealCommunities (acquired in 2001).</li><BR />
	<li> <b><i>Laurie Udesky</i></b> has been a reporter and editor for more than 20 years. She was associate editor at Southern Exposure magazine in Durham, NC. She has reported on health, social welfare, and public policy issues for print, radio and online outlets. She spent five years as a foreign correspondent in Turkey until November 2001. While there she covered breaking news, health and social welfare issues for many newspapers, magazines, radio and Internet outlets, including the Dallas Morning News, the San Francisco Examiner, the St. Petersburg Times, Salon.com, Macleans magazine, National Public Radio and Consumer Health Interactive. She has won many national and regional awards for her work. Most recently, she has been nominated for a 2009 Webby Award in the online film and video, documentary series category for her multimedia project on an irreverent amputee support group. She was awarded California Endowment Health Journalism Fellowships in 2006 and 2008. Udesky is currently an independent journalist specializing in health.</li><BR />
	<li> <b><i>Renee Yang-Geesler</i></b> is a community media activist and producer. As the Co-Director of the First Voice Media Action Program, Renee has been involved in bringing women and people of color into media and works in partnership with Pacifica community radio station KPFA and other community media outlets, both locally and nationally. Renee currently manages a two-year program that provides comprehensive media skills training using video, audio, and web content and design. The mission of the First Voice Media Action Program is community development and creative empowerment, and to preserve the stories of communities and ensure that skills are passed from generation to generation. She is also a contributing producer for "Crossing East" the first Asian American History series on public radio and the recipient of a Peabody Award.</li><BR />
</ul>

<p><b><a name="exhibitors"></a>Exhibitors</b></p>

<ul>
	<li><b><i><a href="http://www.reportingonhealth.org" target="_blank">The California Endowment Health Journalism Fellowships at USC Annenberg School for Communication</a></i></b>: "The USC Annenberg/California Endowment Health Journalism Fellowships offer journalists a chance to step away from the newsroom to hone health reporting skills. In intimate workshops, field trips and discussions, fellows learn from the country's most respected health and medical experts, from top journalists in the field and from each other. Our program focuses on content and craft. At a time when immigration is transforming not just California, but the nation as a whole, the Fellowships encourage journalists to chronicle and illuminate the health challenges of an increasingly diverse and polyglot nation. To encourage closer collaboration between each fellow and their newsroom, the program also invites assigning editors and producers to join the fellows for a special fellowship project workshop, at our expense.</li><br />
	<li><a href="http://ciij.org/" target="_blank"><b><i>The Center for the Integration & Improvement of Journalism</i></b></a>: "Founded at San Francisco State University in 1990 the Center for Integration and Improvement of Journalism believes that accurate and responsible journalism reflects the changing demographics of the society it serves. We develop programs and conduct research aimed at recruiting, retaining and revitalizing journalists and journalism educators. We seek to make journalism more inclusive from the classroom to the newsroom."</li><br /> 
	<li><a href="http://www.daemonized.com/products.html" target="_blank"><i><b>Daemonized Networking Services</b></i></a>: "Daemonized Networking Services builds Internet-ready Web servers. We're creating a FREE Web server, on a CDROM ... built to industry standards ... protected by an integral firewall, incorporating the latest software, built entirely from license-free sources. All you need is a computer and a network connection, and you're online - just add content."</li><br />
	<li><a href="http://www.crosscurrentsradio.org/" target="_blank"><b><i>The Economic Edge on Crosscurrents Radio</i></b></a>: "'The Economic Edge: Documenting the Downturn' is a series of in-depth reports on KALW-FM's Crosscurrents Radio news program, featuring work by our professional journalists and contributions from the community at large. The Economic Edge uses both new and old media to encourage community engagement and to enhance our reporting around this very complex economic crisis. We have invited the general public and community organizations to report to us about how the economic crisis is affecting their lives, neighborhoods and communities. We have also enlisted citizen journalists to go out and connect with their communities to gauge the local impact of this recession, and to report back to us any trends and unique stories they encounter."</li><br />
	<li><i><b><a href="http://www.mediaworkers.org" target="_blank">Freelancer's Unit, California Media Worker's Guild</a></b></i>: "The new freelance unit of California Media Workers Guild, which represents newspaper workers and other journalists from throughout Northern California, is a volunteer-based, member-run organization that aims to support independent and freelance journalists through a variety of services and programs, including contract advice, credentials, job-search assistance and professional training. We're also exploring group benefits bids."</li><br />
	<li><b><i><a href="http://www.hyphenmagazine.com/" target="_blank">Hyphen Magazine: Asian America Unabridged</a></i></b>: "Hyphen is a magazine about Asian America for the culturally and politically savvy. Built around a clarity of image, word and social awareness, Hyphen takes form from the artists, thinkers and creators who are shaping a new multiethnic generation. Hyphen is not a formula but a sensibility -- not a collection of recycled fare with an Asian flavor, but original reporting on stories that move beneath the mainstream. Curious and questioning, Hyphen looks into the hard issues, but also the Asian American by accident, by tangent or by happenstance. Visually arresting, it strikes the gut with clean design, sharp photography and original illustration. Like its readers, Hyphen is many things -- cool librarian, shy musician, dorky hipster, cute techie. Like Asian America, its interests are varied -- politics, art, health, music. Much like the hyphen connects words and concepts, Hyphen magazine connects readers with Asian America as it happens."</li><br />
	<li><a href="http://kachingle.com" target="_blank"><i><b>Kachingle.com</b></i></a>: "Support the blogs you love ... Contribute $5 per month. As you surf just click once on each blog you want to support. Kachingle automatically distributes your $5 fairly based on your activity. Your name or pseudonym appears in the blog's list of Kachinglers -- or you can be completely anonymous."</li><br />
	<li><a href="http://media-alliance.org/" target="_BLANK"><b><i>Media Alliance</i></b></a>: "Media Alliance is a 32 year-old media resource and advocacy center for media workers, non-profit organizations, and social justice activists. Our mission is excellence, ethics, diversity, and accountability in all aspects of the media in the interests of peace, justice, and social responsibility."</li><br />
	<li><a href="http://WWW.MYTWOCENSUS.COM" target="_blank"><i><b>MyTwoCensus.com</b></i></a> provides watchdog reporting and blogging on the 2010 U.S. Census, a $13 billion project with funds that can be spent without caution. "We want you to be counted as accurately as is humanly possible, so you can be fairly represented by your government for the next ten years, and so billions of your tax dollars will be spent wisely."</li><br />
	<li><a href="http://www.radioproject.org/" target="_blank"><i><b>National Radio Project/Making Contact</b></i></a>: "National Radio Project produces Making Contact, an award-winning, 29-minute weekly public affairs program heard on over 200 radio stations in the US and Canada. Showcasing voices rarely heard in media, Making Contact focuses on the human realities of politics, the connections between local and global events, while highlighting solutions."</li><br />
    <li><a href="http://nuestravoz.us/" target="_blank"><b><i>Nuestra Voz</i></b></a>: "Nuestra Voz is a nonprofit organization helping Spanish speakers participate actively in the online conversation, with a focus on citizen journalism and social media. Nuestra Voz seeks to extend the benefits of online participation and self-expression to all Spanish speakers by actively engaging  in advocacy, education, and awareness, reaching out to underrepresented and less-favored communities."</li><br />
	<li><a href="http://newsdesk.org/" target="_blank"><b><i>Newsdesk.org</i></b></a>: "Newsdesk.org is a commercial-free, nonpoliticized news project that empowers journalists and the communities they serve. Newsdesk has published News You Might Have Missed each Wednesday since February 2002, rounding up important but overlooked issues from around the world -- and your own backyard. Newsdesk.org was a Changemakers/WeMedia finalist in Miami in February 2009, advancing a proposal to establish a national network of independent but affiliated 'local.newsdesk.org' bureaus that can produce nonpartisan, commercial-free journalism and civic dialogue in underserved communities."</li><br />
	<li><b><i><a href="http://www.sfengage.org" target="_blank">SF Engage</a></i></b>: "SF Engage is a community outreach program sponsored by The Public Press, a startup, nonprofit news organization based in San Francisco. Using technology and face-to-face journalism outreach, SF Engage supports The Public Press' efforts to report on undercovered issues and underserved communities in San Francisco. SF Engage plans to incorporate neighborhood news meetings, Text-a-Tip (an SMS-based news tip program) and a community news wiki, and also to teach people how to pitch stories to The Public Press and other public and independent media. Information gathered through these channels will be fed back to The Public Press newsroom where journalists will pursue news tips and report findings in stories posted to www.public-press.org." </li><br />
	<li><a href="http://sfnna.com/" target="_blank"><b><i>The San Francisco Neighborhood Newspaper Association</i></b></a>: "With nearly 300,000 copies hitting the streets every month, the San Francisco Neighborhood Newspaper Association's 16 newspapers reach more city residents than any other print publication.  As a trusted source of engaging and insightful local news for two decades, the SFNNA consistently delivers the readership and unique local content that other publications cannot. Our loyal readers have proven time and again that they enthusiastically support advertisers that reach out to their communities."</li><br />
	<li><a href="http://public-press.org/" target="_blank"><i><b>The San Francisco Public Press</b></i></a>: "The Public Press is an emerging concept for a noncommercial daily Web/print/broadcast collaborative news service. The idea is to put journalism first -- operating as a nonprofit organization that prioritizes public service over commerce. One idea is to eliminate advertising altogether, creating a robustly independent specialized vehicle for serious news. A newspaper born in the 21st century could experiment with new forms of "reverse" publishing -- pulling commentary, blogs an alternative news perspectives into print dynamically. We have just started to seek grant funding and collaborators, locally and nationwide. We're especially looking for people with business planning acumen."</li><br />
	<li><a href="http://www.sfsv.org" target="_blank"><b><i>San Francisco School Volunteers</i></b></a>: "San Francisco School Volunteers recruits, trains and supports a community of volunteers who inspire public school students to achieve their full potential. Journalist volunteers play a major role in developing students' interest in reading and writing. One journalist started a school paper with a 2nd grade class. There are opportunities at all grade levels."</li><br />
	<li><a href="http://spot.us/" target="_blank"><b><i>SPOT.US</i></b></a>: "We are an open source project, to pioneer 'community funded reporting.' Through Spot.Us the public can commission journalists to do investigations on important and perhaps overlooked stories. All donations are tax deductible and if a news organization buys exclusive rights to the content, your donation will be reimbursed. Otherwise, all content is made available to all through a Creative Commons license. It's a marketplace where independent reporters, community members and news organizations can come together and collaborate."</li><br />
	<!--<li>The San Jose Independent</li>-->
</ul>

<p><b><a name="directions"></a>Directions to the University of San Francisco</b><br />
<a href="http://www.usfca.edu/online/gen_info/directions.html" target="_BLANK">Directions</a> * <a href="http://www.usfca.edu/online/gen_info/map_c.html" target="_BLANK">Campus Map</a> * <a href="http://www.sfmta.com/cms/home/sfmta.php">MUNI</a> (5 Fulton, 21 Hayes, 31 Balboa, 43 Masonic)</p>

<p><strong>What?</strong><br />
Booking has commenced for the Second Annual Journalism Innovations Expo, a unique showcase, colloquium and jam session for the people, ideas and projects that are defining the future of journalism around the Bay Area and beyond. </p>

<p><strong>Where?</strong><br />
This year, Journalism Innovations II comes to the University of San Francisco, a green and inviting campus just minutes from Golden Gate Park and the historic Haight-Ashbury district, easily accessed by car and public transport, with plenty of on- and off-campus dining options, and home to academic leaders in a wide variety of disciplines. </p>

<p><strong>Our Second Anniversary</strong><br />
This event follows <a href="/expo/journalism/index-2008.html">the first Innovations in Journalism Expo</a>, staged in Palo Alto in last May, and featuring hundreds of attendees, career counseling, numerous panels and more than two-dozen panelists. Some notable speakers included Geneva Overholser ("On Behalf of Journalism: A Manifesto for Change"), Jon Funabiki (SFSU, former Ford Foundation officer), David Talbot (Salon.com founder), Reese Erlich (international print and radio freelancer), Rose Aguilar (Your Call Radio) and many more.</p>

<p><strong>More Info</strong></p>

<p><a href="mailto:&#106;&#111;&#117;&#114;&#110;&#105;&#110;&#110;&#111;&#118;&#97;&#116;&#105;&#111;&#110;&#115;&#64;&#97;&#114;&#116;&#115;&#97;&#110;&#100;&#109;&#101;&#100;&#105;&#97;&#46;&#110;&#101;&#116;?subject=Innovations Exhibitor Request"><em>Expo tables are free to nonprofits, schools, service and advocacy groups, social ventures and startups, but are limited in availability</em></a>. If you'd like to exhibit your good works to hundreds of journalism advocates, practitioners, students and aspirants, managers and executives, fill out the Expo table request form. </p>

<p><a href="http://artsandmedia.net/2009/03/journalism_innovations_ii_spon.html">SPONSOR JOURNALISM INNOVATIONS II</a> ... get high-visibility placement for your message, service, idea and organization before a diverse, multi-generational audience of new and emerging journalism practitioners and leaders.</p>

<p><strong>Journalism Innovations II is co-produced</strong> by <a href="http://www.spjchapters.org/norcal/" target="_BLANK">The Society of Professional Journalists-Northern California</a>; <a href="http://artsandmedia.net/" target="_BLANK">Independent Arts & Media</a>; and the <a href="http://www.usfca.edu/artsci/ug/davies_forum/" target="_BLANK">University of San Francisco Davies Forum</a>, and the USF <a href="http://www.usfca.edu/artsci/ug/media_studies/" target="_BLANK">Department of Media Studies</a> and <a href="http://www.journalism.sfsu.edu/" target="_BLANK">Journalism Program</a>. </p>]]>
        
    </content>
</entry>

<entry>
    <title>SF Chronicle to Close? SPJ-NorCal Responds</title>
    <link rel="alternate" type="text/html" href="http://artsandmedia.net/2009/02/noted_spj_norcal_seeks_meetup.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://artsandmedia.net/mt_tmp/mt-atom.cgi/weblog/blog_id=8/entry_id=5861" title="SF Chronicle to Close? SPJ-NorCal Responds" />
    <id>tag:artsandmedia.net,2009://8.5861</id>
    
    <published>2009-02-27T21:36:20Z</published>
    <updated>2009-02-27T22:20:25Z</updated>
    
    <summary>[Indy Arts is posting this for informational purposes; please contact the SPJ liaisons below for more details.] Society of Professional Journalists Chapter Calls for Public Discussion of Hearst Corp.&apos;s Threat to Shutter the San Francisco Chronicle Contact: Ricardo Sandoval, 415-786-1258;...</summary>
    <author>
        <name>Josh Wilson</name>
        <uri>http://www.artsandmedia.net/</uri>
    </author>
    
        <category term="Democracy" />
    
        <category term="Events &amp; Opportunities" />
    
        <category term="Journalism &amp; Media" />
    
    <content type="html" xml:lang="en-us" xml:base="http://artsandmedia.net/">
        <![CDATA[<p>[<em>Indy Arts is posting this for informational purposes; please contact the SPJ liaisons below for more details.</em>]</p>

<p><strong>Society of Professional Journalists Chapter Calls for Public Discussion of Hearst Corp.'s Threat to Shutter the San Francisco Chronicle</strong><br />
 <br />
<u>Contact:</u> Ricardo Sandoval, 415-786-1258; Tom Murphy, 415-924-3364<br />
 <br />
Feb. 27, 2008 -- The Northern California Chapter of the Society of Professional Journalists today called for a public discussion - at the earliest date possible - of the Hearst Corporation's threat to make deeper newsroom cutbacks or it will close the paper.<br />
 <br />
The chapter's board insists that this discussion include the paper's broad community of leading-edge thinkers, readers and journalists.</p>

<p>The board fears additional cuts will exacerbate what it perceives to be an already growing vacuum of credible reporting and will further limit scrutiny of our public institutions.<br />
 <br />
"We hold no faith in claims that if it reduces its staff even further, the Chronicle can maintain adequate - much less high-quality - coverage of the myriad issues affecting the lives of Bay Area residents," said board president Ricardo Sandoval.<br />
 <br />
The paper, which today employs an editorial staff of 275, has already lost more than half its newsroom workers since Hearst bought the paper in 2000. Then, as now, Hearst vowed to build the Chronicle into one of the best newspapers in the world. Yet Hearst's inability to succeed during better times raises troubling questions about its ability or desire to manage the Chronicle through the current recession.<br />
 <br />
A closure would mean losing the largest source of news for hundreds of thousands of readers in the San Francisco Bay Area, a region that leads the world in innovation. To date, this community of creative thinkers has been excluded from discussions regarding the paper's downward spiral.<br />
 <br />
The SPJ chapter's board is acutely aware of the trying business environment within the news publishing industry, and the board notes that Hearst issued its ultimatum on the eve of negotiations with union officials on another round of staff cuts.</p>

<p>"The board takes no position in labor negotiations or in the operation of any paper, but urges the Hearst Corporation to soften its rhetoric and embrace its responsibility to serve its loyal community of readers," said Sandoval.</p>

<p>The board asks the Hearst Corporation to participate in a high-profile conversation with its community based on the imperative of reinvention, a conversation conducted with an openness and transparency that no paper has dared anywhere else.  Our chapter stands ready to facilitate this dialogue in any way it can.</p>

<p>The 100-year-old Society of Professional Journalists is the nation's broadest-based journalism organization, dedicated to encouraging the free practice of journalism and stimulating high standards of ethical behavior and diversity in the media. The Northern California SPJ chapter in recent years has actively engaged the creative capital of the Bay Area to identify and promote alternatives to the failing business model used by large media corporations.</p>

<p>In the interest of the public good and open government, the chapter is eager to work with its membership and the rest of the media community to develop new business models that will consistently support meaningful, substantive journalism and which demonstrate that high-quality journalism can remain a profession that attracts the best and brightest.</p>

<p>"We encourage broad community support for these emerging models," Sandoval said. "We urge journalists, foundations, corporations, the public and public officials to join us in finding solutions to this increasingly urgent civic challenge."</p>

<p>-30-</p>]]>
        
    </content>
</entry>

<entry>
    <title>The 2009 DIY Workshop series continues with ...Making Taxes Less Taxing for Artists</title>
    <link rel="alternate" type="text/html" href="http://artsandmedia.net/2009/02/the_2009_diy_workshop_series_c_1.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://artsandmedia.net/mt_tmp/mt-atom.cgi/weblog/blog_id=8/entry_id=5848" title="The 2009 DIY Workshop series continues with ...Making Taxes Less Taxing for Artists" />
    <id>tag:artsandmedia.net,2009://8.5848</id>
    
    <published>2009-02-18T19:44:22Z</published>
    <updated>2009-02-18T19:47:58Z</updated>
    
    <summary>The 2009 DIY Workshop series continues with ...Making Taxes Less Taxing for Artists. Presented by Independent Arts &amp; Media, Lilycat.com and Access SF...</summary>
    <author>
        <name>Clare</name>
        <uri>http://www.artsandmedia.net/</uri>
    </author>
    
        <category term="Arts &amp; Culture" />
    
        <category term="DIY Workshops" />
    
    <content type="html" xml:lang="en-us" xml:base="http://artsandmedia.net/">
        <![CDATA[<p>The 2009 DIY Workshop series continues with ...Making Taxes Less Taxing for Artists.<br />
Presented by Independent Arts & Media, Lilycat.com and Access SF</p>]]>
        <![CDATA[<p>TIME & DATE:<br />
Monday, March 2nd<br />
7 p.m.-8:30 p.m.</p>

<p>EVENT STARTS PROMPTLY! ARRIVE EARLY TO ENSURE YOUR SEAT!</p>

<p>LOCATION:<br />
Access SF Studio -- 1720 Market at Valencia, San Francisco</p>

<p>SEATING IS LIMITED:<br />
Call Indy Arts to RSVP: 415/677-9877</p>

<p>DESCRIPTION:</p>

<p>So, taxes time is coming ... Ugh... But taxes most be done. Find out as an<br />
artist what you can deduct and can't. Also, times on how to balance your<br />
finances and make your money last.</p>

<p>We will have a large Q&A section so you can get some personal advice.</p>

<p>Speaker:</p>

<p>CPA - Thomas Anders from California Lawyers for the Arts</p>

<p>More TBA<br />
</p>]]>
    </content>
</entry>

<entry>
    <title>California lawyers for the Arts Presents: Relax with Tax</title>
    <link rel="alternate" type="text/html" href="http://artsandmedia.net/2009/02/california_lawyers_for_the_art.html" />
    <link rel="service.edit" type="application/atom+xml" href="http://artsandmedia.net/mt_tmp/mt-atom.cgi/weblog/blog_id=8/entry_id=5847" title="California lawyers for the Arts Presents: Relax with Tax" />
    <id>tag:artsandmedia.net,2009://8.5847</id>
    
    <published>2009-02-18T19:33:14Z</published>
    <updated>2009-02-18T19:44:01Z</updated>
    
    <summary>California Lawyers for the Arts presents: Relax with Tax Don&apos;t miss this half-day seminar on the essentials of income tax for individual artists of all disciplines and small arts businesses. Topics include record keeping, form 1040, Schedule C and self-employment...</summary>
    <author>
        <name>Clare</name>
        <uri>http://www.artsandmedia.net/</uri>
    </author>
    
        <category term="Arts &amp; Culture" />
    
    <content type="html" xml:lang="en-us" xml:base="http://artsandmedia.net/">
        <![CDATA[<p>California Lawyers for the Arts presents:<br />
<strong><br />
Relax with Tax</strong></p>

<p>Don't miss this half-day seminar on the essentials of income tax for<br />
individual artists of all disciplines and small arts businesses.  Topics<br />
include record keeping, form 1040, Schedule C and self-employment schedule,<br />
deductions, hobby losses, home offices and more.  Seminar fee includes the<br />
tax workbook, The Art of Deduction, at no additional charge.</p>

<p>When:  Saturday, February 21, 1-5pm<br />
Speaker:  Thomas Andres, CPA, JD<br />
Where:  Pro Arts, 550 Second Street in Jack London Square, Oakland<br />
Registration:  Seminar fees are $30 for members of California Lawyers for<br />
the Arts and any cosponsoring organizations, $40 for members of the public<br />
and $20 for students/seniors.  (The member discount applies to individuals who<br />
have found out about this seminar through Independent Arts & Media) <br />
Register by calling (415) 775-7200 ext. 107<br />
or by downloading and faxing/mailing the pdf form on our website at<br />
http://www.calawyersforthearts.org/seminars.html.<br />
</p>]]>
        
    </content>
</entry>

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