Dandelion Arts Finance Training Program

Circular graphic in blue with headshots of the Dandelion Co-Creation team surrounding the image likes spokes on a wheel.

Apply for the next Dandelion Re-Generation Cohort by September 15, 2025!

The Dandelion Arts Finance Training Program is seeking Bay Area artists, media-makers, cultural workers, culture bearers, community-rooted creatives who are ready to re-imagine the role of money in their lives and movements.

Dandelion Re-Generation is an 8-month Bay Area cohort where we come together to transform our relationship with money. Rooted in ancestral knowledge, peer-led learning, and solidarity, the program focuses on demystifying finance, reframing labor and worth, and building tools for equitable, liberated futures.

This is not a traditional financial literacy program. Participants engage in critical unlearning, spiritual reckoning, and community-based experimentation — centering systems of resource sharing, value recognition, and financial self-determination. We believe money is not the enemy; when grounded in equity and intention, it can be a force for healing, safety, creative risk-taking, and systemic change.

Over six months, you’ll explore and release fears and insecurities around money in an intimate, supportive environment with your peers. You will design a project grounded in your values and approach to money, share it with the community, and leave feeling empowered, connected, and resourced.

The Dandelion Re-Generation Cohort seeks 4 participants from the Bay Area arts community for the 2025-2026 Cohort. We especially welcome women, POC, immigrants, LGBTQ+, and other marginalized creatives committed to building abundance mindsets, community-centered practices, and cultural rerooting to dismantle capitalist trauma.

The Dandelion Re-Generation Cohort will be facilitated by Josie Santiago of Akili Well and Cohort Alumni Sabereh Kashi and Mason J.

Participants who complete the Re-Generation Cohort will also be invited to join the Dandelion Community Advisory Board.

 

Learn more about the Dandelion Arts Finance Training Program's history below!

 


Eligibility Criteria:

* Resident of the San Francisco Bay Area (Alameda, Contra Costa, Marin, San Francisco, San Mateo, Santa Clara, and Solano counties)

* Self-identify as an artist, media-maker, cultural worker, culture bearer, and/or community-rooted creative

 


How to Apply:

DEADLINE:  September 15, 2025

All project proposals must be submitted using this ONLINE FORM

 

Please contact the Dandelion team if you need assistance at dandelion@artsandmedia.net.

WATCH THE INFORMATION SESSION

 

Proposal Requirements:

Applicants must propose a project aligned with the themes above, which will then be developed throughout your Cohort participation.

Possible formats include (but are not limited to):

  • A workshop
  • An interactive presentation
  • A somatic or spiritual offering
  • Other creative formats — we encourage experimentation!

 


Cohort Timeline & Details:

TIMELINE:  October 2025 to May 2026

Mandatory Orientation:  October 14, 2025, from 10:00 AM – 12:00 PM on Zoom

Monthly Cohort Meetings (6 total from 10:00 AM – 12:00 PM on Zoom)

  • Friday October 31st
  • Monday, November 17th
  • Friday, December 5th
  • Friday, January 16th
  • Friday, February 20th
  • Friday, March 13th

Additional Commitments:

  • Participate in three one-on-one sessions with Cohort Facilitator Josie Santiago and Cohort alumni Sabereh Kashi and Mason J. 
  • Attend the project presentations of your fellow Cohort participants;
  • Participate in two additional Dandelion workshops (topics: ethical budgeting and compensation, feminine labor, community advisory models)

DELIVERABLES:

  • Two public presentations of your project
  • Develop documentation about your project for the Dandelion online resource library and toolkit archive (coming soon!)

 


Cohort Stipend:

Each Cohort member will be paid a total stipend of $3,000 during their participation in the program.

  • $1,000 in early December 2025 (after attending the mandatory orientation and two cohort meetings
  • $1,000 in early February 2026 (after attending two additional cohort meetings)
  • $1,000 in April 2026 (after completing all cohort meetings, the 1:1 sessions, and two presentations of your final project)

 

The Dandelion Arts Finance Training Program is generously funded by the Zellerbach Family Foundation, Walter & Elise Haas Fund, San Francisco Arts Commission, and Grants for the Arts.

 


History of the Dandelion Arts Finance Training Program

At the core of the Dandelion Arts Finance Training Program is our belief that there is a lack of accessible, culturally-responsive and -relevant arts finance training in the San Francisco Bay Area. In 2020 Independent Arts & Media and arts finance consultant Jericha Senyak launched an initial research and development phase, starting with a basic landscape assessment of what is currently available to better understand the scope and scale of the needs we were hearing from the Bay Area arts community.

Additional methodologies (i.e. focus group and one-on-ones) were added in partnership with Jason Wyman/Queerly Complex to ensure engagement with and inclusion of populations and communities most impacted by a lack of culturally-responsive and -relevant arts finance training, specifically Indigenous, Black, disabled, trans, queer, immigrant, low income, and POC artists, mediamakers, and arts administrators.

In 2022 in partnership with Bay Area artists & arts administrators Sabereh KashiMason J.Afia Thompson, and Violet Vasquez, and consultants Crystal Mason and Jason Wyman/Queerly Complex, the Dandelion Co-Creation Working Group began developing a cohort-based education curriculum along with comprehensive resources on financial topics including budgeting & bookkeeping, data analysis, values-based decision-making, and analyzing power. Expert financial advice was provided by arts finance consultant Jericha Senyak.

At the conclusion of this R&D phase, IAM and the Dandelion Co-Creation Working Group released the Dandelion Arts Finance Training Program Final Report to present its findings in October 2022.

“I feel like I've learned most from peers, who have also some similar background, because they understand that it's not just organizational, but there's also familial things that also blend into the structure, the stress and the trauma of trying to resource your time and also to advocate for what you're worth, what your work is worth.” - Focus Group Participant: Latinx, Female, Artist & Arts Administrator

“Make art life finance accessible. What do I mean by accessible in this case? It goes back to, ‘I think I can do this. And I don't need to have a finance degree. I don't need to read the 15 books my money-smart friends have recommended me to read that's still sitting in the corner of my bookshelf.” - Midori, International Artist based in Bayview Hunters Point, San Francisco

Next, the Dandelion co-creation team — Sabereh KashiMason J.Jericha Senyak, and Lisa Burger — finalized the design of the Dandelion Arts Finance Training Program, the online Dandelion Hub, and the Re-Generation Cohort for launch by the end of 2025!  These programs seek to offer culturally-specific financial tools, lesson plans, and collaborative learning opportunities to ease the stress and anxieties our peers feel when trying to figure out the intersection of their values, their finances, and their art-making.

Dandelion believes there is power in a network of peers co-creating accessible, relevant materials that anyone can use. In fact, we believe that is the legacy and value of community arts, media, and culture.

 

 


Meet the original Dandelion Co-Creation Working Group:

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Afia Thompson is a Black queer woman. She is wearing a white and orange blouse, and her hair is pulled up in a head wrap.

Afia Thompson

Afia “Beautiful One” Thompson received her acclaim 20 years ago in West African dance. She has performed nationally and internationally in genres including jazz, hip-hop, lindy hop, freestyle, and modern dance. Her company Bahiya Movement has participated in SF Juneteenth, Black Choreographers, and Mbongui Square. Recently their piece iNdigo Skin: In Fear of Black Fruit, placed 2nd at Luna Dance Studio ChoreoFund 7 in Berkeley. She has graced the stages of The Palace of Fine Arts, Yerba Buena Center for the Arts, and Oakland’s Art and Soul Festivals. She continues to teach classes in the Oakland community to professional dancers and dance enthusiast of all ages.

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Mason Smith is dark skinned with short black hair. He is wearing a yellow shirt, denim jeans, and face mask.

Mason Smith

Mason J. (they/he/him/them) is a Blaxican-Indigenous historian, visual/performing artist, educator, and cultural worker born, raised, and residing in Ramaytush-Ohlone territory/San Francisco, CA. They are coeditor of Still Here SF (Foglifter Press, 2019) and author of the poetry chapbook Crossbones on My Life (Nomadic Press, 2021). In addition to receiving fellowships from VONA Voices and the SFPL James C. Hormel LGBTQ Center, Mason sits on the GLBT Historical Society Board and was a past board member of the world's first Transgender Cultural District based in San Francisco. Mason currently serves as interim Executive Director at RADAR Productions.

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Sabereh Kashi is an Iranian woman with short, curly dark hair. She is wearing a blue tank top.

Sabereh Kashi

Sabereh Kashi (she/her) is an immigrant documentary filmmaker and cultural strategist. Her most recent work, I’m Oakland (2022), created in collaboration with the City, is a short documentary about an African American woman homeowner facing gentrification. She is a concept and social media developer for Shahrazad Squad, a MENASA women community space. Kashi’s debut, the 35mm documentary Lalezar Street (2000) premiered at Fadjr International Film Festival, Iran. She directed a web series about Iranian immigrant artists in North America (2008-2016). Her editorial work has premiered at Hot Docs and IDFA. She edited and co-wrote the ITVS documentary Our Summer in Tehran (2011), and the award-winning short Surviving International Boulevard: Domestic Sex Trafficking in Oakland (2016). Her current film, and long time passion project, The Patient Woman, depicts her personal journey of searching for "home" between Iran and America. She has won a Center for Cultural Innovation’s Investing in Artists award, a Berkeley Film Foundation grant, and a student Emmy Award. She was a resident artist at SFFilm and Yerba Buena Center for the Arts. She co-founded Re-Present Media, a nonprofit that advocates for personal stories of under-represented communities in nonfiction media. When not working, she practices Capoeira and organizes home-ownership for intentional communities.

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Violet is female presenting with long dark, curly hair. She is wearing a red and white striped top and brown sweater.

Violet Vasquez

Violeta Vasquez (comrade/homie) is a youth leader and spoken word artist from the Lakeview and Bayview communities, with deep roots across San Francisco. For nearly a decade, she has gained experience in a variety of social justice programs. She is dedicated to cultivating leadership and skills among her peers, which have evolved her understanding of systemic injustice and resilience. While pursuing higher education at City College of San Francisco, she contributed to developing a youth-centered approach to our program mentorship model. She facilitates programs and creates curricula to encourage self-expression and solidarity with asset-based approaches to invoke healing and empowerment, at both the individual and community level. Violeta is the result of many contributions made by family including community members, nonprofit organizations, and Ethnic Studies.

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Crystal Mason is a Black queer person. They are wearing a dark purple top, red suspenders and shaved head.

Crystal Mason

Crystal Mason (they/them) is an activist, artist, cultural worker and consultant who works to create space for imagining, conjuring and sharing our dreams. Crystal has been dreaming and making possible a world that puts the talents, stories, and art made by and for intergenerational QTBIPOC artists in the limelight for decades. They are a co-founder, along with Queerly Complex, of Queering Dreams, a new art, care and community-expanding network that’s collectively dreaming & creating our liberation from all oppressive systems and systems of domination. They have over 25 years experience in Arts Administration and programming. They were formerly Co-Director of Queer Rebels an intergenerational QTBIPOC performing arts organization and a board member since 2012. Crystal was also a co-founder and Artistic Director of Luna Sea Women’s Performance Project. They spent time as the Executive Director of the Jon Sims Center for the Arts. Until recently they lived and worked for 8 years in an intergenerational, multiracial mixed gender queer and trans centered low-income housing project.

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Jericha Senyak is a caucasian female with dark hair.

Jericha Senyak

Jericha Senyak (she/her) is an interdisciplinary artist and financial consultant who still can't quite figure out how she ended up in the weird world of accounting. As a consultant, she works with artists and arts organizations across Northern California to help them expand their financial empowerment and leverage financial tools and skills on their own terms. As an artist, she likes to build strange immersive spaces out of cardboard and papier mâché. She lives in the woods of Siskiyou County, traditional homeland of the Winnemem Wintu people, where you can usually find her dancing tango, cooking with dangerous amounts of butter, and trying not to kill her vast bevy of houseplants. She is grateful to be part of a widening network of artists working together to fight pervasive myths about finance and the arts.

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Jason Wyman is caucasian, male presenting queer person. They are wearing a black wide brimmed hat and has a long dark beard.

Jason Wyman

I am Queerly Complex, an anti-binary social practice artist living & creating on Yelamu, unceded Ramaytush Ohlone land, or what colonizers named San Francisco, and I’ve been Queerly Complex my whole life. I’m the one that stood out and apart from everyone else was hella teased because of it. I even got my tailbone broken in a game of “Smear the Queer” in the sixth grade and had to sit on a shit-brown, donut-shaped pillow for six months.

On August 28, 2007, I launched a blog called Queerly Complex. I shared deeply intimate portraits, from my “Piss Trigger” to “The Fight with the Knife,” of my queer life. It was radical honesty as artistic expression. It was also a call for me to create my home.

Now, I create virtual & physical spaces for comrades to explore & discover who they be individually & collectively. My materials are dreams, value(s), structures, & access, and I use them to conjure renewed forms of being and belonging free from shame, conformity, and punishment. My practice centers the messy, intangible, emotive, & esoteric bits that help us understand and make-meaning of the chaos within which we exist. And it’s resulted in a large-scale, participatory sticker mural with artists Celi Tamayo-Lee & Mary-Claire Amable for the Asian Art Museum, a national Youth Media Network co-produced with Myah Overstreet, and Queering Dreams, an intergenerational, cross-territorial non-profit network of artists, neighbors, & comrades dreaming & co-creating our liberation from oppressive systems, with Crystal Mason.